油画风景写生中色彩的表现力与情感语言的研究

发布时间：2018-02-27 21:11

本文关键词： 油画风景写生色彩情感语言表现力　出处：《广西师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：色彩作为油画艺术的重要语言因素,是油画艺术不可规避的课题。色彩语言在油画创作的过程中体现出强烈而独特的表现力,色彩语言的表现规律可谓油画的核心。它还是艺术家主体表现个性风格和精神外化的关键环节,重要因素。与简单的公式不同的是,艺术家要想形成自己独特的色彩语言不仅要正确认识色彩规律,更要熟悉掌握和灵活运用艺术法则。语言作为一种工具通过不同的形式来传递各式样的信息,实现人与人之间的沟通与交流。而色彩可以说是油画艺术的一种可视性的“语言”,是艺术家按照客观世界,抒发情感的物化载体,起到一个解释说明的作用,全世界不同国度、民族间理解起来似乎都没有严格的“语言”界限。对油画色彩语言的深入研究与探索是永无止境的。色彩语言的作用不仅仅能够表现出不同情绪的变化特质,还是能表现出艺术家内在精神媒介的语言。要想掌握油画创作的基本技能,就一定要先对色彩语言有所认识。我们不能单纯的仅从色彩的角度探究色彩语言,那样难免有些牵强,难免有些以偏概全了。本文拟用五章来论述油画风景写生中色彩的表现力与情感语言。第一章回顾分析了色彩运用在油画风景中的发展历程。第二章是色彩运用在油画风景中的特点。本章按时间顺序选取了不同时期独具代表性的画派(巴比松派——印象派——后印象派——现代派),并结合各画派的代表画家的代表作结合阐述：巴比松画派——还原自然与原始的质朴色彩构成第一部分；第二部分是印象派——记录光与影的瞬息色彩；后印象派——赋予内心与情感的夸张色彩为本章的第三部分；第四部分为现代派——南方油画风景的“水墨”色彩。第三章为色彩在油画风景中的价值体现,阐明色彩在油画风景中的重要性。首先对色彩的价值进行概述,然后再分别对色彩的美学价值、情感价值、人文价值和历史价值进行总结。第四章是油画风景中色彩的表现力与情感语言的重要体现,是本文的重点和难点。笔者将从油画风景中色彩表现力的体现和油画风景中色彩情感语言的体现这两大板块进行阐明,再具体对色彩的抽象性表现力、色彩的象征性表现力、色彩的写实性表现力对色彩的表现力进行说明,再从“希望与绝望”、“欢乐与悲伤”两个对立面的感情加以论述色彩的情感语言。最后一章为油画风景写生中色彩要素的实践性应用。本论文以油画风景写生及创作为切入点,系统地论述了色彩的功能性、目的性以及色彩的构成因素和色彩建构的情感、精神本质。系统地分析了创作主体的主观性与色彩形成的关系,揭示了油画创作中表现力与情感之间关系与影响,阐明了色彩在现代绘画中的重要地位,结合国内外强调色彩因素的画家和作品,分析并论证油画风景写生的色彩要素。
[Abstract]:Color, as an important language factor in oil painting art, is an inescapable subject of oil painting art. The expression law of color language is the core of oil painting. It is also the key link of the artist's main body in expressing personality style and spirit externalization, the important factor. Different from the simple formula, If an artist wants to form his own unique color language, he should not only understand the law of color correctly, but also be familiar with and apply the art law flexibly. As a tool, language conveys information of various styles through different forms, and realizes communication and communication between people. Color can be said to be a visible "language" of oil painting art, and the artist is in accordance with the objective world. The materialized carrier of expressing emotion plays an explanatory role in different countries all over the world. It seems that there are no strict "language" boundaries between nations. The study and exploration of oil painting color language is endless. The function of color language is not only to show the changing characteristics of different emotions. If you want to master the basic skills of oil painting, you must first understand the language of color. We can not simply explore the language of color from the perspective of color. It is inevitable that some far-fetched, some inevitable to generalize. This paper intends to use five chapters to discuss the expressive power and emotional language of color in oil painting landscape. The first chapter reviews and analyzes the development of color application in oil painting landscape. The second chapter is the characteristics of color application in oil painting landscape. In this chapter, according to the chronological order, we select the representative painting schools in different periods (Babinet-Impressionist-Post-Impressionist-modernist), and combine with the representative painters of various painting schools to expound: Babbitson painting School-Restoration. The first part is composed of natural and primitive simple colors; The second part is Impressionist-recording the instantaneous color of light and shadow, the third part of this chapter is the hyperbole that post-Impressionism gives to the heart and emotion. The third chapter is the value embodiment of color in oil painting landscape, expounding the importance of color in oil painting landscape. Then the aesthetic value, emotional value, humanistic value and historical value of color are summarized respectively. Chapter 4th is an important embodiment of color expression and emotional language in oil painting landscape. It is the focus and difficulty of this paper. The author will expound from the two major plates: the embodiment of color expressiveness in oil painting landscape and the embodiment of color emotion language in oil painting landscape, and then the abstract expressive power of color, the symbolic expressive power of color, The realistic expressiveness of color illustrates the expressiveness of color. Then from "hope and despair", "joy and sadness" two opposite feelings to discuss the emotional language of color. The last chapter is the practical application of color elements in oil painting landscape sketch. This paper takes oil painting landscape sketch and creation as the breakthrough point, systematically discusses the color function, the purpose, the color composition factor and the color construction emotion, This paper systematically analyzes the relationship between subjectivity and color formation of creative subject, reveals the relationship and influence between expressiveness and emotion in oil painting, and clarifies the important position of color in modern painting. Combining with the painters and works which emphasize the color factor at home and abroad, this paper analyzes and demonstrates the color elements of oil painting landscape sketch.
【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

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