潘玉良绘画研究

发布时间：2018-02-28 18:43

本文关键词： 潘玉良绘画风格绘画语言女性意识　出处：《南京艺术学院》2016年博士论文　论文类型：学位论文

【摘要】：民国时期女画家潘玉良的绘画艺术于二十世纪八十年代后期重新回到人们的视线,潘玉良以及潘玉良绘画的研究热潮随着“民国热”逐渐兴起。通过各种艺术形式戏剧化演绎的潘玉良与原型相差较大,对潘玉良的认知也存在欠妥和不实之处,对其艺术成就和绘画水平方面的研究存在或多或少的过誉和拔高。本文旨在通过对潘玉良作品图像、所处时代背景文献的梳理,对其绘画艺术的成就与价值给予客观的分析,最终确定潘玉良作为女性画家在民国、乃至中国现代美术史上的地位。本文对以往某些有待商榷的观点予以讨论,对学术界没有关注的问题进行系统的考察。归纳并研究其绘画题材,从绘画本体出发,分析其绘画作品的线条、笔触和色彩的技法特点,并对其中最具特点也是为数众多的女人体画进行重点研究,通过横向和纵向的比较,说明其在“女人体画”方面所取得的成就。文中对潘玉良绘画风格形成的原因分析,有以下三点:一、潘玉良身处二十世纪初期女性解放的潮流中,追求独立自由的女性意识是其绘画风格形成的基础;二、潘玉良对女人体题材的钟爱和绘画作品反映出的“男性”与“女性”气质共存的局面,是因为潘玉良人生经历导致其对男性权威的认可,但无法逃避女性身份,其在身份的认同和观看角度上是矛盾的;三、在中、西方现代主义绘画潮流的影响下,潘玉良绘画作品带有学院派、印象派、后印象派、野兽派的烙印,而晚期作品以白描、彩墨画闻名。在肯定其历史意义与价值的同时,也对其绘画艺术的不足、局限性及其背后的原因进行分析。将潘玉良现象放置在民国美术的整体环境中进行研究,重点在于其绘画创作中“东方情调”的表现与启示,在整个民国美术中的积极演化,从而做到对潘玉良绘画艺术的准确定位。
[Abstract]:The painting art of Pan Yuliang, a female painter of the Republic of China, returned to people's sight in the late 1980s. Pan Yuliang and Pan Yuliang's painting research upsurge has been rising with the popularity of the Republic of China. Pan Yuliang, who is dramatized by various artistic forms, is quite different from the archetype, and his cognition of Pan Yuliang is also flawed and untrue. There is more or less overpraise and exaltation in the study of his artistic achievement and painting level. This paper aims to give an objective analysis of the achievement and value of Pan Yuliang's painting art by combing the images of his works and the background documents of his time. Finally determine Pan Yuliang's position as a female painter in the Republic of China and even in the history of modern Chinese art. This paper makes a systematic investigation on the problems which the academic circles have not paid attention to. It summarizes and studies the painting subject matter, and analyzes the technical characteristics of the lines, strokes and colors of his painting works from the perspective of the painting itself. And the most characteristic of which is a large number of women's body painting, through horizontal and vertical comparison, it shows its achievements in "women's body painting". In this paper, the reasons for the formation of Pan Yuliang's painting style are analyzed. There are the following three points: first, Pan Yuliang is in the trend of women's liberation in the beginning of 20th century, and the consciousness of seeking independence and freedom is the foundation of his painting style; second, Pan Yu-liang 's love for women and his paintings reflect the coexistence of "male" and "female" temperament, because Pan's life experience has led to his recognition of male authority, but he cannot escape female identity. Third, under the influence of modernist painting trends in China and the West, Pan Yuliang's paintings are marked by academicians, impressionists, post-impressionists and beasts, while late works are painted in white. Color ink painting is famous. While affirming its historical significance and value, it also analyzes the shortcomings, limitations and reasons behind its painting art. The Pan Yuliang phenomenon is placed in the overall environment of the Republic of China's fine arts. The key point lies in the expression and enlightenment of "Oriental sentiment" in his painting creation, and the positive evolution in the whole Republic of China art, so as to achieve the accurate positioning of Pan Yuliang's painting art.
【学位授予单位】：南京艺术学院
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J205

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