唐宋工笔人物画中的服饰绘画风格

发布时间：2018-03-01 20:06

本文关键词： 唐宋服饰绘画风格工笔人物　出处：《陕西师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：中国服饰文化源远流长,与此相关的文字著述浩如烟海。随着时代的变迁,服饰的作用从起初的遮体御寒,到用来区分人与人之间的社会地位和等级,直至成为人们审美意趣的表现,最终成为一个民族精神文明的符号。而岁月轮转,朝代更迭,服饰的文化和特点都会变化,而直观记录这种变化的表现形式无疑是绘画。其中工笔人物画更是由于其自身绘画特点,成为传承和记录历史的可靠依据。同时服饰的发展反过来对于绘画技巧和表现方式有着深刻的影响。中国最早的人物画,在新时期时代的彩陶文化中已经有所体现,虽然表现出不够成熟的一面,但也为中国工笔画的发展打下了基础。唐代是中国工笔人物画发展的历史高峰时期,涌现出阎立本、张萱、周防等诸多画家及大量著名画作。宋代同样是工笔人物画发展历史上非常重要的时代。在“程朱理学”的影响下,这一时期的作品收敛于古朴清雅,更加追求笔墨之间若隐若现的意趣。本文将工笔人物画发展过程中极具代表性的唐宋两个朝代的作品作为研究对象,探讨这两个时期工笔人物画中服饰的风格,从而为更好的解读和鉴赏唐宋时期绘画作品提供了思路。从唐宋两代工笔人物画入手,文章从三个方面论述唐宋工笔人物画中的服饰绘画风格,包括历史背景对服饰风格的影响；工笔人物画中服饰的用线特征；工笔人物画中服饰的用色特征。通过对这三点内容的研究讨论,提升对唐宋时期的工笔人物画作品中的服饰绘画风格的认识,达到更进一步对唐宋时期绘画的鉴赏能力,也在绘画技法方面通过深层次的学习和借鉴而得到提升。
[Abstract]:Chinese costume culture has a long history, and the related writings are like a sea of smoke and smoke. With the change of times, the role of clothing has changed from the first covering body to the social status and rank between people. Until it becomes the expression of people's aesthetic interest, and finally becomes the symbol of a nation's spiritual civilization. And the rotation of years, the change of dynasties, the change of dress culture and characteristics will change. And the manifestation of intuitionistic recording of this change is undoubtedly painting. Among them, meticulous figure painting is more because of its own painting characteristics. At the same time, the development of clothing has a profound impact on painting skills and ways of expression. The earliest figure paintings in China have been embodied in the painted pottery culture of the new era, although they have shown an immature aspect. But it also laid the foundation for the development of Chinese meticulous brushwork. The Tang Dynasty was the historical peak of the development of Chinese meticulous figure painting, and Yan Liben and Zhang Xuan emerged. Zhou Pai and many other painters and a large number of famous paintings. The Song Dynasty was also a very important time in the history of the development of meticulous figure painting. Under the influence of "Neo-Confucianism of Cheng Zhu", the works of this period converged on simplicity and elegance. More pursuit of pen and ink between the hidden interest. This paper takes the works of Tang and Song dynasties, which are very representative in the development process of fine brushwork figure painting, as the research object, and probes into the style of dress in the fine brushwork figure painting of these two periods. From the perspective of the painting of the Tang and Song dynasties, the article discusses the style of dress painting in the fine brushwork painting of the Tang and Song dynasties from three aspects, so as to provide a better understanding and appreciation of the painting works of the Tang and Song dynasties. Including the influence of historical background on dress style, the line feature of dress in fine brushwork figure painting, the color feature of dress in fine brush figure painting. To enhance the Tang and Song dynasties figure painting works in the style of costume painting understanding, to further the Tang and Song dynasties painting appreciation ability, but also in painting techniques through deep learning and learning and to be promoted.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【共引文献】