线的力量—论写意人物画的造型因素

发布时间：2018-03-02 03:31

本文关键词： 线性素描造型写意人物画　出处：《沈阳师范大学》2015年硕士论文　论文类型：学位论文

【摘要】：在绘画领域,造型是绘画的核心,所有的画种都离不开造型,造型更是中国写意人物画的重要基础。写意人物画的造型观历史悠久,形成了具有浓厚的东方艺术特色,并且相对稳定的造型观和造型手段,它与西方的艺术造型有截然不同的理念与特征。20世纪初,由于西方造型观念的融入,中国传统写意人物画的造型观受到西方造型观的影响,传统的造型方式与西方写实观念不断的融合和碰撞。徐悲鸿、蒋兆和等人引进西方艺术的写实造型观念,借鉴相关的造型手段和构成形式,改良中国写意人物画的造型观。使中国写意人物的造型观产生了巨大的变化,开始向现代化转型,面向生活面向写实,为写意人物画的造型发展增添了色彩。写意人物画中的线有着独特的情感性和装饰性。线不仅是中国传统绘画的主要表现形式,也是中国画最基本的造型手段,更是中国传统文化精神的传承。而线性素描中对线的运用,线性的强调无疑是对传统的继承和发展。它体现了艺术家们对客观形象的概括和提炼,体现了画家们能否驾驭物象的创造力。线性素描是在西方素描基础教学的基础上,融入中国化的元素,是对西方的素描进行中国化的演绎后而形成的符合中国画教学的造型方法。我们应该把符合中国画训练的西方因素借鉴过来,通过借鉴,培养我们观察对象和认识对象的能力。用深刻的线条抓住描绘人物的特征,才能更好的为后面的笔墨打下基础。通过形象和相对独立的笔墨形式去写意,从而达到传神的效果。中国写意人物画是造型与笔墨综合应用的产物,造型是基础,笔墨作为媒介,用素描作为造型手段,进行创作。在人物画的创作中应汲取西方素描的长处,如线的表现,并充分观照中国画笔墨形态中凝结的生动气韵和精神内涵,较好的把握形与神。本文积极的探索其理论知识体系,着重于对线和现代写意人物画造型的研究,并通过实践进行验证。
[Abstract]:In the field of painting, modeling is the core of painting, all kinds of paintings can not be separated from modeling, modeling is an important foundation of Chinese freehand brushwork painting. The concept of modeling of freehand brushwork painting has a long history and has formed a strong oriental art characteristic. And relatively stable modeling view and modeling means, it and the western art modeling has completely different ideas and characteristics. At the beginning of the 20th century, because of the integration of western modeling concepts, the Chinese traditional freehand figure painting modeling view is influenced by the western modeling view. The traditional modeling method and the western realistic idea merges and collides continuously. Xu Beihong, Jiang Zhaohe and others introduce the realistic modeling idea of western art, draw lessons from the relevant modeling means and composition form, To improve the modeling view of Chinese freehand figure painting. The Chinese freehand brushwork personage's modelling view has produced the huge change, began to transform to the modernization, faces the life to face to the realistic, the Chinese freehand brushwork personage modelling view has produced the huge change, The line in the freehand brushwork painting has unique emotion and decoration. Line is not only the main form of expression of Chinese traditional painting, but also the most basic modeling means of Chinese painting. The application of line in linear sketch is undoubtedly the inheritance and development of tradition. It reflects the artists' generalization and refinement of objective images. Linear sketch is a Chinese element based on the basic teaching of Western sketch. It is a modeling method that conforms to the teaching of Chinese painting. We should draw lessons from the western factors that conform to the training of Chinese painting. Cultivate our ability to observe and understand objects. With deep lines to capture the characteristics of the characters, we can better lay the foundation for the back of the pen and ink. Through the image and relatively independent brush and ink form to freehand, Chinese freehand brushwork is the product of the integrated application of modeling and ink, the modeling is the basis, the brush and ink as the medium, the sketch as the modeling means, In the creation of figure painting, we should draw on the strengths of Western sketch, such as the performance of lines, and take full account of the vivid charm and spiritual connotation condensed in the form of Chinese painting. This paper actively explores its theoretical knowledge system, focusing on the line and modern freehand brushwork figure painting modeling research, and through practice to verify.
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212

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