常玉油画作品的写意性探析

发布时间：2018-03-02 12:35

本文选题：常玉　切入点：艺术理念　出处：《渤海大学》2013年硕士论文　论文类型：学位论文

【摘要】：常玉号幼书（1901—1966）是一批较早出国留学的艺术家，也是中国写意性油画早期的实践者之一。由于中国油画发展的跳跃性与其它历史原因，常玉的艺术一度被历史尘封不被世人认同。但在世界艺术大融合的今天，当我们将艺术视线从新回归到艺术本身的时候，不禁会发现常玉艺术精神的纯粹、艺术视野的开阔与为中国艺术现代性进程做出的贡献。也许常玉与他所处同时期的艺术家相比少了些对社会的责任与对艺术史的贡献，但常玉则做到了一位艺术家应做到的本分。他一生都奋战在巴黎，用毕生的精力抒写着自己的艺术理想。常玉用特有的东方符号语言与画面、精神追求的处理，诠释出了中国传统文化、艺术与西方现代文化、艺术有机结合的魅力，而且丰富了中国传统文化与艺术在现代语境下的表达形式。常玉通过每一件作品向世人展现出他个人的艺术世界与艺术追求，与此同时我们在常玉的作品中，能感受到艺术最本质的情感触动与中华民族文化、艺术的魅力所在。岁月流逝，珠玉蒙尘，吾辈拂拭有责，赋珠宝于重辉，常玉正是一颗不可湮没的东方明珠。本文试图从相关的思想根源、文化背景方面以及当时的艺术思潮等，对常玉的艺术理念、表达作品的形式等几个方面进行整理综合、概括分析，，进而能够层次分明、循序渐进、由表及里的从多方面剖析他的艺术理念，望能为中国油画的“写意”性研究提供基础理论与学习产考。
[Abstract]:Changyu was a group of artists who studied abroad earlier, and also one of the early practitioners of Chinese freehand brushwork. Because of the leaping development of Chinese oil painting and other historical reasons, Changyu's art was once sealed up by history and not recognized by the world. However, when we return our artistic vision from the new art to the art itself, we can't help but find the purity of Changyu's artistic spirit. The broadening of artistic horizons and contributions to the process of Chinese art modernity. Perhaps Changyu has less social responsibility and less contribution to the history of art than the artists of his time. But Chang Yu did what an artist should have done. He fought in Paris all his life and devoted his life to expressing his artistic ideals. Changyu has interpreted the charm of Chinese traditional culture, art and modern western culture, art, and art with its unique oriental symbolic language and picture, and the handling of spiritual pursuit. And it enriches the expression of Chinese traditional culture and art in the modern context. Chang Yu shows his artistic world and artistic pursuit to the world through every piece of work. At the same time, we are in Changyu's works. Can feel the most essential emotional touch of art and Chinese culture, where the charm of art. The passage of time, pearl jade dust, my generation to wipe the responsibility, Fu jewelry in Chongghui, Changyuzheng is an indelible Oriental pearl. This paper attempts to sort out and synthesize Changyu's artistic ideas and the forms of his works from the related ideological roots, cultural background and artistic trends of thought at that time, and then make a clear analysis of them. Step by step, from the surface to the inside, he analyzes his artistic idea from many aspects, hoping to provide the basic theory and study test for the "freehand brushwork" study of Chinese oil painting.
【学位授予单位】：渤海大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

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