说“线”—现代工笔人物画创作之思考
发布时间:2018-03-03 22:32
本文选题:工笔人物画 切入点:线 出处:《河北师范大学》2013年硕士论文 论文类型:学位论文
【摘要】:中国工笔人物画形象的塑造主要依靠毛笔运用而形成的线,因而线成为工笔人物画最基本的造型手段。在用线的不断发展和探究中,线描成为了具有独立审美意味的艺术形式,,既有外在的形式美又富有了生命律动的节奏和韵味。线的形态的不断创造在很大程度上强化了工笔人物画的时代特性,促进了工笔人物画的发展和进步,在这一过程中也形成了各种不同的表现形式与风格。而多样形式与风格的形成有赖于创作意识的发展和技法上的创新。如今,工笔人物画正处在新的多元化发展的氛围中,继续进行线的形式在理论上的分析与探究,对工笔人物画创作实践和线描的创新有着非常重要的指导意义。 我自幼成长在油田,对石油工人有着不解的情愫,因此,我把我对石油工人劳动生活的表现作为我的研究和创作课题。我既重视深入生活,同时也重视按艺术规律进行加工,让“艺术生活化,生活艺术化”。在传统工笔人物画已有的技法基础上进行新的尝试,将人物元素作为一种载体,用传统的笔墨来表现适合具有新的审美视角的题材,用更直接的方法来表达自己的内心感受,这种尝试的结果我认为也比较符合多元文化的需要。
[Abstract]:The image of Chinese meticulous figure painting mainly depends on the line formed by the use of brush, so line has become the most basic modeling means of meticulous figure painting. In the continuous development and exploration of the use of line, line drawing has become an art form with independent aesthetic meaning. Both the external beauty of form and the rhythm and charm of life. The continuous creation of line forms has to a great extent strengthened the characteristics of the times of meticulous figure painting and promoted the development and progress of meticulous figure painting. The formation of various forms and styles depends on the development of creative consciousness and the innovation of techniques. Now, the fine brushwork figure painting is in a new atmosphere of pluralistic development. To continue the theoretical analysis and exploration of the form of line is of great significance to the creation practice of fine brushwork and the innovation of line drawing. I grew up in an oil field and had an incomprehensible affection for the oil workers. Therefore, I took my performance on the labor life of the oil workers as my research and creative subject. I attached importance to not only living deeply, but also processing according to the laws of art. Let the "life of art, the artistry of life". On the basis of the existing techniques of traditional fine brushwork figure painting, we should try to take the elements of characters as a carrier and use traditional brushwork and ink to express the subject matter suitable for a new aesthetic angle of view. Using a more direct way to express your inner feelings, I think the result of this attempt is also more in line with the need for multiculturalism.
【学位授予单位】:河北师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J212
【参考文献】
相关期刊论文 前2条
1 刘选让;论中国画线条及其基本属性[J];西北美术;1994年01期
2 唐勇力;中国人物画创作之思考[J];新美术;1994年01期
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