北宋山水画审美思想在现代城市山水画中的运用研究

发布时间：2018-03-04 08:03

本文选题：北宋　切入点：城市　出处：《燕山大学》2014年硕士论文　论文类型：学位论文

【摘要】：北宋政局稳定，经济繁荣发展，山水画作为人们精神层面的艺术，在此也鼎盛一时，画界人才辈出，在山水画史上发展到了顶峰，山水画审美理论也进入了成熟期。北宋以后的山水画审美承接了郭熙《林泉高致集》的审美理论思想，它成为传统山水画审美的精髓。同时北宋界画建筑的空前发展，为现代城市山水画开了先河。北宋山水画的审美思想占据了整个传统山水画进程。而对于当下一些不基于笔墨审美语言，，一味追求“新颖”与“成绩”，偏离了中国画轨道的现象，本文就此问题展开了论述，以北宋山水画审美思想为依据，分析了当代的城市山水画，并指出城市山水画的审美方向。本文通过对城市山水画中构图，笔墨，立意进行比较分析，阐述了城市山水画的审美是由传统山水画发展而来，内容题材上的“新”并不意味着就要脱离传统，以北宋山水画为基准，阐述城市山水画的继承，其中审美表现在笔墨语言、审美意象、意境品味等山水画基础方面上。师古而不拘泥于复古的形式，每个时代都有创新，城市山水画既然作为新的山水画发展趋势，就要有自己“新”的点。城市山水画脱离外在的传统形式，区别于北宋山水画还有在题材上改变了以往以“山”“水”为主要表现内容的方式，在表现内容上多以“城市”人文景观出现在画面中，高楼耸立、道路交错、车水马龙等生活的气息更为浓重，许多代表时代的人文建筑紧跟时代步伐，山水画随之而来的变化。在意境素材等方面，城市山水画运用时代的新型材料；色彩上的大胆运用，描绘了城市生活的绚丽多彩；线条造型上更为刚性。最后以自己的理解，进行了实践创作，并书写了对所遇到问题一一解决的过程。
[Abstract]:The Northern Song Dynasty had a stable political situation and a prosperous economy. Landscape painting, as an art of people's spiritual level, was also at its peak in the history of landscape painting. The aesthetic theory of landscape painting has also entered into a mature period. After the Northern Song Dynasty, the aesthetic of landscape painting carried on the aesthetic theory thought of Guo Xi's "Lin Quan Gao Zhi Ji", which became the essence of the traditional landscape painting aesthetics. At the same time, the unprecedented development of the Northern Song Dynasty boundary painting architecture, The aesthetic thought of landscape painting in Northern Song Dynasty occupied the whole process of traditional landscape painting. Blindly pursuing "novelty" and "achievement" deviates from the track of traditional Chinese painting. This paper discusses this problem, based on the aesthetic thought of landscape painting in Northern Song Dynasty, analyzes the contemporary urban landscape painting, and points out the aesthetic direction of urban landscape painting. Through comparative analysis of composition, pen and ink, and intention of urban landscape painting, this paper expounds that the aesthetic of urban landscape painting is developed from traditional landscape painting, and the "new" content does not mean that it is necessary to break away from tradition. Based on the landscape painting of the Northern Song Dynasty, this paper expounds the inheritance of the urban landscape painting, in which the aesthetic expression is based on the language of pen and ink, the aesthetic image, the taste of artistic conception, and so on. Since urban landscape painting is a new trend of landscape painting, it is necessary to have its own "new" point. Different from the landscape paintings of the Northern Song Dynasty, they also changed the way in the past in which "Mountain" and "Water" were the main performance content. In the performance content, they appeared in the picture as "city" humanistic landscape, with tall buildings standing up and roads crisscrossing. The atmosphere of life is thicker, many of the humanistic buildings that represent the times keep up with the times, and landscape paintings change. In terms of artistic conception materials, urban landscape paintings use new materials of the times, and bold use of colors. It depicts the colorful city life and the more rigid line shape. Finally, with its own understanding, it creates practice and writes the process of solving the problems encountered one by one.
【学位授予单位】：燕山大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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