绘画中“光”影的主观性表达
发布时间:2018-03-04 16:21
本文选题:光影 切入点:拉图尔 出处:《河北师范大学》2013年硕士论文 论文类型:学位论文
【摘要】:光影的运用在油画创作过程中起着举足轻重的作用。万物的呈现皆由光的存在,由于自己本科所学的是灯光专业,深知舞台这个领域可以主观的控制光线强弱颜色营造出强烈的感情气氛。绘画中的“光”同样也可以达到所想要呈现的效果,基于自然光,烛光为载体,使光影在绘画作品中呈现出不同的形式。 从文艺复兴时期开始,画家以科学的态度分析光影的变化,运用“光”在二维平面空间中模拟物象的立体感,表现出画面的空间感。到了印象派时期,画家走到户外,突破了运用明暗表现光的局限,使用大量的对比色和反光来表现物体丰富多彩的色彩变化,直至现代光影同样成为了独立的绘画元素,本文主要通过所学灯光专业的知识运用到绘画实践中,让画家了解怎样可以通过灯光的选择与运用,,达到不受外界光线的限制也能获得更好的创作效果。 本文主要通过举例的方法阐述艺术家对光的选择和运用,展现艺术家对光影的主观运用突出物象的体积感、空间感,突出画面构图,渲染画面气氛,表达画家个人情感世界,突出主题。不同的艺术家对光的感受有所不同,因此运用光线所呈现出来的效果也有所不同。这里主要阐述了拉图尔、伦勃朗、以及印象派画家对“光”影的不同解读。拉图尔对光影的主观运用,无论是外光还是内光都呈现出光线运用的复合关系,把物象的外形概括成几何形,分割画面,明暗区域化,使画面具有强烈的形式感和装饰意味。伦勃朗光影的主观运用——即“伦勃朗光线”,是一种普遍善用光线,精确的三角立体光,勾勒出人物的轮廓线,让其余部分隐藏于光暗之中,给人庄重的感觉。印象派光影的主观运用,强调人对外界物体光和影的感受,用外光描绘对象,认识到色彩的变化是由色光造成,随着观察位置的变化,时间的变化,光色也有所不同。通过不同时期的代表可以看出随着时代的进步,社会的发展,艺术家对光线的不断探索,使画家在画面处理上有了更深的造诣,成为艺术家表达主观情感的视觉表现符号。 基于本科所学灯光专业,深刻剖析光的产生和艺术家对光影的主观性的表达,从意识的本质内在层面出发,阐述怎样从舞台灯光中得到启发并运用到艺术家创作中,达到所想要表达的艺术效果,来证明光影服务于艺术,同样也造就了艺术。
[Abstract]:The use of light and shadow plays an important role in the creative process of painting. All things are presented by the presence of the light, because their undergraduate is aware of this field of professional lighting, stage can control the light intensity of the subjective color to create a strong emotional atmosphere. The painting of "light" can also reach to show the results, based on natural light, light as the carrier, the light showing a different form in painting works.
From the beginning of the Renaissance painter, with a scientific attitude of light changes, the use of "light" simulation objects in the 2D space in three-dimensional sense, show the picture space. At the period of Impressionism, the artist went out and broke through the use of light and shade light performance limitations, and extensive use of color contrast to reflect the performance of color rich and colorful objects change, until the modern light painting elements has also become independent, this paper studies professional lighting knowledge to the practice of painting, let the artist know how through the selection and use of light, achieved without external light limitation but also can get a better writing effect.
This paper mainly expounds the selection and application of artists to light by way of example, show the artist of the light highlights the use of images of the subjective sense of volume, space, highlight the picture composition, rendering the atmosphere of the screen, the expression of his personal emotion world, highlighting the theme. Artists of different light feel different, therefore the use of light the presentation of the results is also different. It mainly discusses La Tour, Rembrandt, and the different interpretation of Impressionist painters to "light" shadow. The subjective use of La Tour of the light, either light or light show complex relation of the image light use, generalized the shape of geometric shape, split screen, light and shade area, so that the screen has a strong sense of form meaning and decoration. Rembrandt light of subjective use -- "Rembrandt light", is a common use of light, precise vertical triangle Light body, draw the outline of the figure, let the rest hidden in the dark light, give people a sense of decency. The subjective light of impressionist, emphasizing the external objects of light and shadow feelings, the description of the object with the light, realize the color change is caused by light, with the observation of the change of position. The change of time, the color is also different. By means of different periods can be seen with the progress of the times, the development of the society, the light of the artists continue to explore, the painter has deeper attainments in picture processing, become artists to express the subjective emotion visual symbols.
Undergraduate professional lighting based on the profound analysis and expression of light to light the subjectivity of the artist, starting from the intrinsic level of consciousness, this paper expounds how to get inspiration from the stage lighting and apply to the artist, to want to express the artistic effect, to prove the light service in art, also created art.
【学位授予单位】:河北师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J213
【参考文献】
相关硕士学位论文 前1条
1 刘利霞;油画中的阴影表现[D];河南大学;2005年
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