对中国水彩民族化的一些思索
发布时间:2018-03-06 02:09
本文选题:中国水彩画 切入点:民族性 出处:《东北师范大学》2013年硕士论文 论文类型:学位论文
【摘要】:在中国,水彩画是被人们熟知的并且有着完整体系的一个画种,并且因其具有独特的艺术魅力,深受人们的喜欢。水彩画,是指用水彩颜料描绘的作品,它是以水为稀释的媒介,通过水稀释透明颜料,在纸张上或是其他媒介上表达物象,并且充分表现水彩特有的属性,主要表现的是水与色的运用,水彩画因为充分掌握了对水的性能的运用和尽情发挥,形成了别的画种很难做到的水与色相交融的韵味。中国水彩画在经过近百年的民族化发展以后,可以说取得了很大的成就。不仅在艺术面貌上有着自己独特的风格,而且也有着很多优秀的艺术作品。而这种民族化包括很多内容,不仅仅要从绘画材料、技法和所画对象上入手,更重要的是要掌握中国的传统文化,把民族精神和内涵融合到水彩画中,并且要通过手法和画技来完美展现其底蕴和内涵。本文主要从实例中来阐述中国水彩画的意义,,并且结合以往的历史和目前出现的问题以及水彩画的发展方向,从而为水彩画的更好的明天做好充足的准备。本论文的研究内容大致分为以下五个部分: 第一章,绪论部分。主要阐明水彩画的发展历史以及我国水彩画现在的发展现状,以及研究中国水彩画的目的和意义;第二,中国水彩画民族性的意义:弘扬东方神韵文化、突出特有艺术风格、融合中西方文化;第三章,中国水彩画民族性表现:追求气韵、营造意境和形式风格;第四章,对中国当代水彩画民族化的思考,从中国当代水彩画民族化探索中存在的误区入手,提出完善中国当代水彩画民族化的建议;第五章提出文章的结语,总结全文。本文对于研究当代中国艺术画种的发展、繁荣艺术市场是有意义的。
[Abstract]:In China, watercolor painting is well known and has a complete system of painting, and because of its unique artistic charm, deeply loved by people. Watercolor painting, refers to the painting of watercolor paint, It uses water as a diluted medium, dilutes transparent pigments through water, expresses objects on paper or on other media, and fully displays the unique properties of watercolor, mainly the use of water and color. Watercolor paintings, because they have fully mastered the use and full play of the performance of water, have formed the lasting appeal of the blending of water and color which is difficult for other painting types to achieve. After nearly 100 years of nationalization and development of Chinese watercolor paintings, It can be said that great achievements have been made. Not only have they had their own unique style in the face of art, but they also have many excellent works of art. And this nationalization includes a lot of content, not only from drawing materials, Starting with the techniques and objects of painting, it is more important to master the traditional Chinese culture and integrate the national spirit and connotation into watercolor paintings. This paper mainly expounds the significance of Chinese watercolor painting from examples, and combines the past history and current problems and the development direction of watercolor painting. The research content of this thesis is divided into the following five parts:. The first chapter, the introduction part, mainly expounds the development history of watercolor painting and the present development situation of Chinese watercolor painting, as well as the purpose and significance of studying Chinese watercolor painting; second, the significance of the national character of Chinese watercolor painting: to carry forward the oriental charm culture, Highlight the unique artistic style, integrate Chinese and western culture; Chapter three, the national expression of Chinese watercolor painting: pursue charm, create artistic conception and form style; Chapter 4th, thinking of nationalization of Chinese contemporary watercolor painting, Starting with the misunderstanding existing in the exploration of the nationalization of Chinese contemporary watercolor painting, the author puts forward some suggestions to perfect the nationalization of Chinese contemporary watercolor painting; 5th chapter puts forward the conclusion of the article and summarizes the full text. It makes sense to prosper the art market.
【学位授予单位】:东北师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J215
【参考文献】
相关期刊论文 前2条
1 陈俊堂;;古雅——王世贞书法思想的核心[J];山西大同大学学报(社会科学版);2010年02期
2 石家泉;中国水彩画发展现状浅析[J];零陵学院学报;2004年03期
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