浅谈水彩风景写生中光影的表现

发布时间：2018-03-06 09:22

本文选题：光影　切入点：情感　出处：《湖南师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：水彩画注重的是光与色的表现,就好比富有迷人魅力的轻音乐,它以轻快、优雅、色彩绚丽等特色令人心旷神怡!它那水色交融、挥洒淋漓的艺术语言,给人以独特的美感和艺术享受!而光色的艺术魅力却不仅仅存在于水彩画中,在其他的画种里也起到非常重要的作用,最早表现光影艺术的是文艺复兴时期,当时对光影的表现还只是对客观物象的再现,直到现在,光影已经成为了绘画当中一项独立的艺术语言,艺术家们已经利用光影组织构图、增添气氛、抒发情感等手法来展现自己的绘画作品。对于水彩风景写生来说,表现画面的光影效果和对自然界的研究和探索一样重要,如果对光影的表现不够微妙,就会使画面缺少与自然衔接的魅力。同时,要把光影与主观意象融会起来,把游走于主客观物象的创作意念贯注在画面之中,使其空灵而不空虚,对比强烈而又变化丰富、微妙。光影的形成因素、表现技法和在绘画中起到的作用是笔者研究的重要目的,在研究的过程中发现,许多艺术家都喜欢光影这个题材,对光影的研究也非常透彻,于是笔者借鉴了艺术大师们的经验,分析了光影表现在绘画当中的重要性是不能替代的。在中国,水彩画由于融入了本土文化,光影的表现产生了更为丰富的形式。画家打破惯性审美,脱离西方绘画中光影表述范式的约束,以民族风韵为新审美点,融入中国传统的绘画精神,着重于光影内在神韵的把握,用诗意的光影表现来营构画面。在当代水彩画中融入诗意的视觉审美追求,用光影抒写诗意的想象,用诗意放大水彩画的光影灵动,营造出一种诗意,从而丰富了艺术语言的表现,激发观者的情感反应。由此可见,光影的表现在水彩画中占有极为重要地位。本论文共分为了四章,第一章主要是介绍光影在绘画中的发展和主要功能。第二章说的是光影的形成因素。第三章介绍的是光影的艺术美感有哪些,并分析一些名家作品。最后一章是介绍了用于表现光影的技法及具有影响力的代表人物和作品。
[Abstract]:Watercolor painting is focused on the performance of light and color, just like the charming charm of light music, it is light, elegant, colorful and other characteristics to make people relaxed and happy!!! Its water color blend, wielding dripping artistic language, gives the person with the unique esthetic feeling and the artistic enjoyment! However, the artistic charm of light color not only exists in watercolor painting, but also plays a very important role in other painting types. The earliest expression of light and shadow art was in the Renaissance period. At that time, the expression of light and shadow was only a reappearance of objective objects. Up to now, light and shadow have become an independent artistic language in painting. Artists have used light and shadow to organize and compose pictures, to add atmosphere, to express their emotions, to show their paintings. It is just as important to show the effect of light and shadow as to study and explore nature. If the expression of light and shadow is not subtle enough, it will make the picture lack the charm of connecting with nature. At the same time, it is necessary to combine light and shadow with subjective image. The creative idea of wandering in the subjective and objective objects is absorbed in the picture, making it empty and not empty, contrast is strong and variety is rich, subtle. The formation factors of light and shadow, the techniques of expression and the role played in painting are the important purposes of the author's research. In the course of the study, it was found that many artists like the subject matter of light and shadow, and that the study of light and shadow is also very thorough. So the author learned from the experience of the masters of art, and analyzed the importance of light and shadow in painting is irreplaceable. In China, watercolor painting because of the integration of local culture, The expression of light and shadow produces a richer form. The painter breaks the habit of aesthetics, breaks away from the restriction of the paradigm of light and shadow expression in western painting, takes the national charm as the new aesthetic point, and melts into the traditional Chinese painting spirit. Focusing on the grasp of the inner charm of light and shadow, we use poetic light and shadow to construct the picture. In contemporary watercolor painting, we incorporate the poetic aesthetic pursuit of vision, use light and shadow to express poetic imagination, and use poetry to amplify the light and shadow of watercolor. It creates a poetic meaning, which enriches the expression of artistic language and stimulates the emotional reaction of the viewer. Thus, the performance of light and shadow plays an extremely important role in watercolor painting. This thesis is divided into four chapters. The first chapter mainly introduces the development and main functions of light and shadow in painting. The second chapter is about the forming factors of light and shadow. The third chapter is about the aesthetic feeling of light and shadow. The last chapter introduces the techniques used to express light and shadow and the influential representative figures and works.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J215

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