试析“文革”时期中国水墨人物画构图特点

发布时间：2018-03-06 16:15

本文选题：“文革”时期　切入点：中国水墨人物画　出处：《首都师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：本文试图从绘画构图的角度去分析“文革”时期具有代表性的132幅1中国水墨人物画作品,进而总结出这一时期的中国水墨人物画的构图特点及所用到的方法。如此,我们对“文革”时期的中国水墨人物绘画会有一个更深入的了解。同时,一些涉及“文革”绘画构图内容的专著和论文中一般用“用一切手段突出中心人物”和“把主要人物放在显著位置”等词语描述中心人物的构图特点,但对语句中的“一切手段”和“显著位置”没有解释清楚或正确。通过本论文的研究,对这些概略而笼统的词从构图学的角度作了一个比较详细的解释。本文的第一部分分析了“文革”时期的社会环境对中国水墨人物画创作的影响主要表现在三个方面：第一,在创作的主题和题材上有限制；第二,在创作方法上有要求；第三,观众的审美要求对创作影响很大。第二部分从构图学的角度对具有代表性的作品进行了分析归纳,总结出了文革时期中国水墨人物画构图常用的构图形式和物象处理方法,并以《矿山新兵》和《延安新春》为例,综合分析了这两幅作品的构图方法。第三部分是对全文的一个总结。“文革”时期的中国水墨人物画在构图上主要运用了画面中线、“井”字形、开合、圆形、三角形、团块、仰视、各种对比、藏露和视觉引导等构图方法突出中心人物、塑造中心人物形象和制造画面稳定感,且在构图方法的运用上显得非常直白、概念和程式化。通过分析也得知,画面中心人物所处的“显著位置”不是一成不变的,它可在画面中心位置,也可在画面靠边的位置。
[Abstract]:This paper attempts to analyze 132 representative Chinese ink figure paintings from the angle of painting composition during the Cultural Revolution, and then summarize the composition characteristics and the methods used in this period. We will have a deeper understanding of Chinese ink painting during the Cultural Revolution. At the same time, Some monographs and articles concerning the composition of painting and composition of the "Cultural Revolution" generally describe the characteristics of the composition of the central characters with the words "highlight the central characters by all means" and "put the main characters in the prominent position". However, there is no clear or correct explanation of "all means" and "prominent position" in the sentence. Through the study of this paper, a detailed explanation of these general words from the perspective of composition is given. The first part of this paper analyzes the influence of the social environment of the "Cultural Revolution" on the creation of Chinese ink figure painting in three aspects: first, there are limitations on the theme and subject matter of the creation; Third, the aesthetic requirements of the audience have a great impact on the creation. The second part analyzes the representative works from the angle of composition, summarizes the common composition forms and processing methods of Chinese ink figure painting in the period of the Cultural Revolution. Taking "Mine recruits" and "Yan'an New year" as examples, the composition methods of these two works are analyzed. The third part is a summary of the full text. The Chinese ink figure painting in the "Cultural Revolution" period mainly used the middle line of the picture, the "well" shape, opening and closing, circle, triangle, block, looking up, all kinds of contrast. The composition methods, such as hidden dew and visual guidance, highlight the central characters, create the image of the central characters and create a sense of stability in the picture, and are very straightforward, conceptual and stylized in the application of the composition method. The "prominent position" of the central figure is not fixed, it can be located in the center of the picture, but also in the position to the side of the picture.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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