合笔画现象研究

发布时间：2018-03-06 20:11

本文选题：合笔画　切入点：风格　出处：《山东建筑大学》2017年硕士论文　论文类型：学位论文

【摘要】：在绘画中,以合笔的方式合作完成的集体创作屡见不鲜。我们所熟知的人民大会堂的著名巨幅国画《江山如此多娇》,由傅抱石、关山月合笔而成;齐白石、陈半丁、何香凝等14位当代书画名家合作的《和平颂》为世界的和平做出了贡献;像徐悲鸿、黎雄才、关山月、范曾等多位名家都与其他人有过合作,其合笔而成的作品不仅被传为佳话,而且在艺术品市场上也不断刷新纪录。政治、经济、友谊、画家趣味等多方面因素促使近现代合笔创作大幅度增加,合笔画作为一种特殊的创作形式和艺术行为,实际上是一个普遍性问题的集中反映,即艺术中的合作行为。即便是艺术欣赏的过程,也是一个欣赏与创作者合作的过程,在历史具体情境中,视觉艺术往往包含可以文化行为和视觉语言方面的合作与博弈。只不过本文提到的合笔画,是这种合作和博弈特征和规律在创作者方面的浓缩体现,不同创作者在合笔画中通常已经预含了欣赏、评判的角度。本文主要分为如下几个部分:绪论简要介绍与本课题相关的研究现状、本文的选题目的和研究方法。第1章从纵向时间角度梳理了合笔画现象的发展,并提炼总结出其大致的发展规律。合笔画在合作方式和发展演变上形成了一条主要的线索趋势,从隋唐五代时期工艺技术上的合作交流,到宋元文人画家们意识趣味上的标榜,逐渐演变成明清以及近现代多元化的社会整合。第2章内容在第一章梳理合笔画现象发展的基础上,从时间、空间特征和材料技术两方面对其进行分类讨论,从中找出更多画面之外的有趣现象和元素,从而为文章的第三章和第四章做铺垫。第3章从艺术社会学角度,从艺术的社会文化行为侧面来谈艺术创作与社会文化之间的合作与博弈关系。从这个角度看,艺术具有社会文化合作与博弈的属性,合笔画的背后有标榜、劝募等社会文化行为和经济目的。艺术创作不仅仅是艺术家和创作对象,在合笔画的创作中,创作者们的个人意识与集体意识的冲突与融合,在不同背景下的合作与博弈,都暗含着艺术创作与社会文化生活之间的博弈关系。第4章从艺术风格学与符号学角度来探讨合笔画现象中个人符号与画面风格的整合关系。当然具体到合笔画如清代宫廷合笔画,对文人画的某种风格、笔法的强调,其背后往往潜藏着一定的文化态度的表达,可视为把绘画语言和符号转换为社会行为,二者也不是互相独立的。这要求本文对图像学和风格学进行交错运用,并注意中国绘画艺术中对于题材和手法的复杂“转借”现象。本文的研究把合笔画现象放到社会文化与生活的时代背景与环境中去,力图做出更加具体和整体的分析。本文强调了合笔画现象在艺术风格与艺术行为方面在不同时期与社会文化生活的整合关系。其从一个看似特殊的现象层面,实际上反映了具有普遍意义的艺术观念和艺术与生活等重大问题及其规律。它们之间的这种关系推动了合笔画现象的发展与形式上的改进,同时也是艺术与文化发展过程中的一个互动的生动例子。
[Abstract]:In the painting creation, to complete the collective cooperation way. It is often seen. pen the Great Hall of the people known as the famous giant painting "land so rich", by Fu Baoshi, GuanShanYue integrated pen made; Qi Baishi, Chen Banding, He Ningxiang and other 14 cooperation of contemporary painting and calligraphy "Ode to peace" and make a contribution to the world peace; like Xu Beihong, Li Xiongcai, GuanShanYue, fan and other masters and others have worked the pen into the works is not only become a favourite tale in the art market, but also constantly refresh the record. The political, economic, friendship, many factors to modern painters interest and pen creation greatly he added, strokes as a special form of creation and the artistic behavior, actually reflect a common problem, namely in the art of cooperation behavior. Even the process of art appreciation, is also an appreciation and The creators of cooperation, in the historical context, the visual arts can often contain cooperation and game behavior and cultural visual language. Only the combination of strokes, is the concentration of this kind of cooperation and game characteristics and rules in the aspects of the creator embodied in different creators, usually containing the pre stroke appreciation, evaluation the point of view. This paper is mainly divided into several parts as follows: introduction of the related research are briefly introduced, the purpose of this paper and research methods. The first chapter introduces the development and the phenomenon of strokes from the longitudinal perspective, and summarizes the general law of development. He strokes formed a major clue trend in the way of cooperation and development, the technology of Sui Tang and Five Dynasties on the cooperation and exchange, to flaunt the song literati painters consciousness of taste, and gradually evolved into the Ming and Qing Dynasties The modern and diversified social integration. From the time the basis of the development of the second chapters in the first chapter and stroke phenomenon, and two aspects of spatial characteristics and material technology of classifying it, find out more footage from outside the interesting phenomenon and elements, so as to lay a foundation for the third chapter and the fourth chapter third. Chapter from the perspective of art and society, to discuss cooperation and game relationship between art and social culture from the social cultural behavior side of art. From this perspective, the art attribute has social and cultural cooperation and game, and the strokes behind the way advertised, and other social and cultural behavior and economic purpose. Art is not only an artist and the creation of objects, in a stroke of creation, conflict and integration of individual and collective consciousness of the creator, cooperation and game in different backgrounds, are implicit in artistic creation and The game relation between the social and cultural life. The fourth chapter studies the integration relationship between angle and semiotics to explore personal symbols and picture style and strokes in the art style. Of course, specific to the Qing court and strokes such as strokes, a style of literati painting, calligraphy that are hidden behind the expression of a certain culture attitude, can be regarded as the conversion of the painting language and symbols for social behavior, the two are not independent of each other. This requires the use of alternatively image and style, and pay attention to the art of painting in the China theme and technique of the complex "lent" phenomenon. This study the background and environment of stroke phenomenon in the social life and culture to make more specific and comprehensive analysis. This paper emphasizes the importance of the strokes phenomenon in artistic style and artistic behavior in different periods of time and society Integration of cultural life. From a seemingly special phenomena, in fact reflects the major issues of art idea and art and life and the law of universal significance. The relationship between them to promote the improvement and development form the phenomenon of strokes, vivid example of an interactive and art and in the process of cultural development.

【学位授予单位】：山东建筑大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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