中国油画对国画元素的借鉴研究

发布时间：2018-03-07 13:35

本文选题：中国油画　切入点：国画元素　出处：《河北师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：当今社会发展迅速，国际间文化艺术交流日益频繁，油画作为一种国际化的绘画创作形式，更是艺术交流的重点。油画自引入中国，历经百余年的发展，融合中国传统绘画，经过不断的探索、改造，在题材内容、审美情趣、表现方式等方面均具有鲜明的民族特征，逐步形成了独具特色的中国油画。本文大致可以分为四个部分。首先介绍了中国传统绘画，即国画的发展、国画的种类以及国画的创作特征，同时对西方油画在中国的百年发展历程进行了概述，并分阶段、分时期从不同角度介绍了中国油画借鉴国画元素的原因。第二部分则分别从构图布置、笔墨线条、色彩应用和意境表现等方面剖析了中国油画对国画元素借鉴的具体形式，并加以具体示例进行阐述。第三部分则从吴冠中、徐悲鸿、董希文的几幅极具代表性的作品入手，详细的论述了作品中对国画元素借鉴的形式和方法，并就目前我国油画创作中对国画元素借鉴的现状和成效进行了分析。第四部分阐述了中国油画对国画元素借鉴的现实意义，，认为这种借鉴既是发扬中国传统绘画艺术的必然要求，也是是丰富中国油画文化内涵的必然途径，不仅符合民族审美意识的审美需求，而且是提高国家文化软实力的内在要求。本文通过研究分析，提出中国油画对国画元素的借鉴与吸收，不应当仅仅局限于构图布置、笔墨线条、色彩应用等表面形式上面，更需要在充分发挥油画特色的基础上，汲取中国优秀的传统文化，融入中华民族的民族精神，结合社会时代的特征，将中国传统绘画中蕴含的艺术精神和西方油画进行有机的结合，从而创作出更符合中国观众审美标准，更具艺术感染力的中国油画。
[Abstract]:Nowadays, with the rapid development of society, international cultural and artistic exchanges are increasingly frequent. Oil painting, as an international form of painting creation, is also the focus of artistic exchange. Oil painting has been introduced into China after more than 100 years of development, and has integrated Chinese traditional painting. After continuous exploration, transformation, in the subject matter content, aesthetic taste, performance style and other aspects have distinct national characteristics, gradually formed a unique Chinese oil painting. This paper can be roughly divided into four parts. Firstly, it introduces the development of traditional Chinese painting, the types of traditional Chinese painting and the creative characteristics of traditional Chinese painting. At the same time, it summarizes the century-old development of western oil painting in China, and divides it into stages. The second part analyzes the concrete form of Chinese oil painting from the aspects of composition layout, ink line, color application and artistic conception performance. The third part begins with several representative works by Wu Guanzhong, Xu Beihong and Dong Xiwen, and discusses in detail the forms and methods in which elements of traditional Chinese painting can be used for reference. At the same time, it analyzes the present situation and effect of the elements of traditional Chinese painting in oil painting creation in our country. Part 4th expounds the practical significance of Chinese oil painting to the elements of traditional Chinese painting. It is considered that this kind of reference is not only an inevitable requirement for developing Chinese traditional painting art, but also an inevitable way to enrich the connotation of Chinese oil painting culture. It not only accords with the aesthetic demand of national aesthetic consciousness, but also is the internal requirement of improving the soft power of national culture. Through research and analysis, this paper points out that the reference and absorption of Chinese oil painting to elements of traditional Chinese painting should not only be confined to the surface forms such as composition arrangement, brush and ink lines, color application, but also need to give full play to the characteristics of oil painting. Drawing on the excellent Chinese traditional culture, integrating the national spirit of the Chinese nation, combining the characteristics of the social times, combining the artistic spirit contained in the Chinese traditional painting with the western oil painting organically, In order to create more in line with the Chinese audience aesthetic standards, more artistic appeal of Chinese oil painting.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

【参考文献】