初探中国当代油画创作中的民俗风情表现

发布时间：2018-03-09 17:05

本文选题：民俗风情　切入点：油画创作　出处：《陕西师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：进入21世纪,伴随着经济日益繁荣,科技日新月异,艺术领域也发生着翻天覆地的变化。油画作为“舶来的艺术”,在中国这片大地上游历了近一个多世纪后,集中出现了一批以表现中国民间风俗文化为绘画题材的油画作品,我国的艺术家们运用以西方造型体系为主的油画创作的方法,结合中国传统民俗文化艺术的美学理念,开创了一条有中国特色的创作之路。这无形中将中国民间风俗文化的精髓发扬光大,从而在一定程度上增强民族自信心、民族自尊心以及民族凝聚力,也为当代流行趋势下被时尚思潮所充斥的青少年打造了一个良好的了解和认识的平台。面对在全球化背景下,中国传统民间风俗文化的保护和传承受到强烈冲击,因此对其的保护和传承有着极为重大而深远的意义。本篇论文对“初探中国当代油画创作中的民俗风情表现”这一艺术形式的初步探索进行了阐述,简要分析其产生以及发展的过程,并对有代表性作品进行针对性的解读,发现传统民俗风情是中国当代油画创作中一种不可忽视的艺术题材,同时也是对传统民俗文化的传承建立了一个保护屏障。本篇论文共分为六个部分：第一部分,绪论。主要阐述了本课题研究的范围,就是立足于对中国传统民俗风情表现在中国当代油画创作中传承关系的分析,指出本课题具有较高的研究价值并蕴藏着深厚的文化意义。第二部分,关于我国油画创作现存问题的简述。对这个“舶来艺术”在本土游历了一个多世纪的发展轨迹进行简单梳理,扼要分析了这些现象的出现和当前存在的一些具体特征以及潜在的问题。第三部分,阐述民俗风情在中国当代油画创作中得以传承是必然的。正是因为他们之间存在某种亲密的关系。第四部分,通过民俗风情绘画的造型和色彩两方面对艺术家作品的分析、比较,进一步阐述两者之间的关系,不难发现民俗文化在油画创作中的渗透和融合。第五部分,论述民俗风情表现对中国当代油画创作的影响及启示,尤其是对创作主体的影响是最突出的,也使得民俗文化得到一定程度上的传承,油画创作得到一定程度上的拓展的双丰收良好局面。最后是对中国当代油画创作中的民俗风情深入探讨,指出其深远意义以及未来展望,同时也指明这一民俗文化之火炬代代相传,这条具有中国特色的油画之路能越走越宽,越走越远。
[Abstract]:In 21th century, with the increasing prosperity of economy and the rapid development of science and technology, the field of art has also undergone earth-shaking changes. As an "imported art", oil painting has traveled on the land of China for more than a century. A number of oil paintings with the theme of expressing Chinese folk customs and culture have appeared. The artists in our country have used the methods of oil painting mainly in the western modeling system, combined with the aesthetic concept of Chinese traditional folk culture and art. It has created a road of creation with Chinese characteristics. This has imperceptibly carried forward the essence of Chinese folk customs and culture, thereby enhancing to a certain extent national self-confidence, national pride and national cohesion. It has also created a good understanding and understanding platform for young people who are full of fashion trends in the contemporary trend of pop. In the face of globalization, the protection and inheritance of Chinese traditional folk customs and cultures have been strongly impacted. Therefore, it is of great significance to protect and inherit it. This paper expounds the preliminary exploration of the art form of "the expression of folklore and amorous feelings in Chinese contemporary oil painting creation". By analyzing the process of its emergence and development, and analyzing the representative works, it is found that the traditional folk customs and customs are a kind of artistic theme which can not be ignored in the contemporary Chinese oil painting creation. At the same time, it also establishes a protective barrier to the heritage of traditional folk culture. This thesis is divided into six parts:. The first part, introduction, mainly expounds the scope of this research, which is based on the analysis of the inheritance relationship between Chinese traditional folk customs and customs in contemporary Chinese oil painting. It is pointed out that this subject has high research value and profound cultural significance. The second part, about our country oil painting creation extant question brief description. To this "imported art" has traveled in the native land for more than a century development track carries on the simple comb, The emergence of these phenomena and some specific features and potential problems are briefly analyzed. In the third part, it is inevitable to expound the folklore customs in Chinese contemporary oil painting creation, just because there is some close relationship between them. The 4th part, through the folk custom painting modelling and the color two aspects to the artist's work analysis, the comparison, further elaboration between the two relations, it is not difficult to find the folk custom culture in the oil painting creation infiltration and the fusion. Part 5th discusses the influence and enlightenment of folk customs on Chinese contemporary oil painting creation, especially on the main body of creation, which also makes folk culture pass on to a certain extent. Oil painting creation to a certain extent to expand the double harvest good situation. Finally, it discusses deeply the folk customs in the contemporary Chinese oil painting, points out its far-reaching significance and future prospects, and also points out that the torch of this folk culture has been handed down from generation to generation, and that the road of this oil painting with Chinese characteristics can be wider and wider. Go farther and farther.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

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