新水墨艺术的成因及其审美特征研究

发布时间：2018-03-09 22:46

本文选题：新水墨艺术　切入点：中国传统书画艺术　出处：《西南大学》2017年硕士论文　论文类型：学位论文

【摘要】：新水墨艺术并不是特指某一种风格或者类型的水墨画,也不单纯是指受到西方当代艺术影响、通过艺术家的观念进行水墨方式而生成的水墨图像。新水墨艺术是处于边缘地位的当代水墨艺术表达方式,它包含着新的水墨媒材、水墨观念、水墨表达方式和新的水墨概念以及非架上的水墨行为。新水墨艺术家们对艺术作品的创作和进行非架上的水墨行为是为了要打破传统的书画艺术格局。上世纪八十年代新墨水艺术崭露头角,到了九十年代中后期,短短的十几年间,新水墨艺术的发展突飞猛进,从一开始不被大众认可到逐渐被接受直至开始出现在全国各地的各级艺术机构和各级学术展览会上,同时也进入大小不同的拍卖网站和拍卖机构。很多艺术家开始认同新水墨的研究成果,并且将这种水墨成果应用于自己的绘画创作当中。到了二十世纪初期,新水墨的艺术格局开始纷繁多样,展现出多元化的特点,并且走向成熟。由于美术界对新水墨的了解甚少,因此关于新水墨研究的著作还是空白,尽管有些先锋艺术评论家写过关于新水墨的文章,但是这些文章都是短评性的,没有形成系统的理论框架。本文的主要研究对象是新水墨出现的原因和它的审美特征。对于新水墨的成因研究,笔者将要从两个方面进行分析。第一方面,是客观方面,笔者分析了当时的社会背景,发现西方现代主义艺术在我国国内传播广泛,在一定程度上影响了我国传统水墨的发展格局,使新水墨艺术的出现成为可能;第二方面,是主观方面,新水墨艺术家在受到西方当代艺术的影响后,开始了对自我的反省;作为艺术受众的人民大众,随着社会背景和文化语境的转型,审美心理也开始有了变化。在对新水墨审美特性进行思考时,笔者主要从比较的维度,将当下出现的新水墨与传统水墨进行对照,在对比的同时,选取了一些具有代表性的画家,对他们的创作理念和艺术作品进行评析。根据笔者的研究,新水墨的审美特征表现在下面几点:1、消解了“笔墨中心”,削弱了笔墨在艺术作品的地位;2、水墨精神的承载方式发生变化,以往承载着艺术家精神的题材仅用一些几何符号就可以表达;3、绘画风格由具象变得抽象;4、艺术家和审美受众的审美观念变得世俗化,审美心理随着审美观念的变化也变得纷繁复杂。在水墨逐渐当代化的过程中,新水墨在不断地证实自己是能够承载本土文化价值的一种水墨艺术、水墨观念。新水墨艺术也能够发挥其自身优势和独特的审美特征使之具有进入当下的可能性。笔者希望通过对新水墨艺术的研究,为新水墨艺术能够在保留自身独立的、本土性的文化身份的同时,也能够拓展当代水墨艺术空间,同时又能够影响其它本土的非水墨艺术追随时代的ki伐,提供参考以及思想上的启示。
[Abstract]:New ink art is not a particular style or type of ink painting, nor is it simply influenced by contemporary Western art. New Ink Art is an expression of contemporary ink art on the edge, which contains new ink media, water and ink ideas. The expression of ink and the new concept of ink and ink off the shelf. New ink artists to create works of art and off-the-shelf ink behavior in order to break the traditional painting and calligraphy art pattern. 0th century 8. The New Ink Art of the Ten's came to the fore, In the middle and late period of 90s, in a short period of ten years, the development of the new ink and wash art developed by leaps and bounds, from not being recognized by the public at the beginning to gradually being accepted until it began to appear at all levels of art institutions and academic exhibitions throughout the country. At the same time, they also entered auction websites and auction agencies of different sizes. Many artists began to identify with the research results of the new ink and wash, and applied this kind of ink to their paintings. By the beginning of 20th century, The art pattern of new ink is beginning to be numerous and diverse, showing the characteristics of diversification, and becoming mature. Because the art circles know little about new ink, the works on the study of new ink are still blank. Although some vanguard art critics have written articles about new ink, they are all of a short nature. There is no systematic theoretical framework. The main research object of this paper is the reasons for the emergence of new ink and its aesthetic characteristics. The author will analyze the causes of new ink from two aspects. The author analyzed the social background at that time, found that the western modernism art spread widely in our country, to some extent influenced the development pattern of the traditional ink and wash in our country, made the appearance of the new ink and wash art possible; the second aspect, On the subjective side, after being influenced by contemporary western art, the new ink and wash artists began to reflect on themselves. As an art audience, the masses of the people, along with the transformation of social background and cultural context, The aesthetic psychology has also begun to change. When thinking about the aesthetic characteristics of the new ink, the author compares the new ink with the traditional ink from the perspective of comparison, and at the same time, Selected a number of representative artists to evaluate their creative ideas and works of art. According to the author's research, The aesthetic features of the new ink and wash are manifested in the following points: 1, which eliminates the "center of ink and pen," weakens the position of ink and pen in art works and changes the bearing mode of the spirit of ink painting. In the past, the themes carrying the artist's spirit could be expressed with only some geometric symbols, the painting style had changed from concrete to abstract, and the aesthetic concepts of artists and aesthetic audiences had become secularized. With the change of aesthetic concept, aesthetic psychology has become complicated. In the process of ink painting becoming more and more contemporary, new ink painting has proved itself to be a kind of ink painting art which can bear the value of local culture. New ink art can also play its own advantages and unique aesthetic characteristics to make it possible to enter the present. I hope that through the new ink art research, for the new ink art can retain its own independence, Local cultural identity, but also can expand the contemporary ink art space, but also can affect other local non-ink art to follow the era Ki fart, to provide reference and ideological inspiration.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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