线描在中西绘画中的应用表现比较研究

发布时间：2018-03-10 01:16

本文选题：线描　切入点：中西绘画　出处：《福建师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：人类最开始时眼中里看到是物体简单的形,只有通过最简单的线来描绘。而要表现“形”的最快捷有效的方法便是用线来造型。因此线描就成了造型艺术中重要的表现手段之一。但是由于各自的文化传统与审美观念的不同,绘画材料的不同从而使中西方绘画中对线描的认识与运用产生不同的风格特色。美术史上显示,整体上来说西方人比较理性,追求对现实自然的真实,而中国人更偏向于感性,追求的是内心情感的表达。同时也就使中西绘画中线描之间有了真实与虚无的区别。由于中西方文化传统、宗教信仰等差异,在很长的时间里外国人无法理解中国的国画,理解不了国画中所表达的意境；而中国人也无法达到外国油画的超高水平。所以针对目前学术界对线描在中西绘画中的应用表现进行比较的现状研究和存在问题进行分析研究,本文通过以下几章对线描在中西绘画中的应用表现比较进行研究。第一章,对线描的由来进行阐述,确定线描在中、西方绘画的必不可少的绘画因素,同时也说明线描在绘中的地位。第二章,对中西方文化传统、宗教信仰差异产生的不同而进行的中西方之间各自对线描的理解认识发展过程进行适当的说明。第三章,通过中西方之间相同时期,不同艺术大师塞尚与任伯年、莫迪利阿尼与潘玉良、波提切利与唐寅、莫奈与张大千,他们的艺术绘画进行比较,来说明线描在中西绘画的区别与联系。第四章,对中国具有代表性的中国的传统线描融合于西方绘画之中的绘画大师进行分析解读说明,中西传统绘画线描是可能很好的进行融合,拓展艺术领域的。第五章,对全文进行总结中西传统绘画线描可能很好进行中西融合。此外,本文采取比较法与案例分析法,在深入对线描在中西绘画中的应用表现比较研究,归纳出中西线描的艺术之间的互补性,取长避短。
[Abstract]:In the beginning, people saw simple objects in their eyes, Only through the simplest lines to depict. And the fastest and most effective way to express "shape" is to use lines to shape. So line drawing has become one of the most important means of expression in plastic arts. But because of their respective cultural traditions. Different from the aesthetic concept, The difference in painting materials makes the understanding and application of line drawing in Chinese and Western paintings have different style characteristics. Art history shows that Westerners are more rational in overall terms, pursuing the reality of reality and nature, while the Chinese tend to be more perceptual. It is the expression of inner emotion that makes the difference between Chinese and Western painting between truth and nihilism. Because of the differences between Chinese and Western cultures, religious beliefs and so on, for a long time foreigners could not understand Chinese traditional painting, could not understand the artistic conception expressed in Chinese painting, and the Chinese could not reach the super-high level of foreign oil painting. Therefore, in view of the current situation and existing problems of the comparison of the application of line drawing in Chinese and Western painting in the academic circles at present, In the first chapter, the origin of line drawing is expounded, and the essential drawing factors in Chinese and western painting are determined. At the same time, it also explains the position of line drawing in drawing. Chapter two, the understanding and development process of line drawing between China and the West, which are different from Chinese and Western cultural traditions and religious differences, are properly explained. Chapter three, Through the same period between China and the West, different art masters Cezanne and Ren Bonian, Modiriani and Pan Yuliang, Botticelli and Tang Yin, Monet and Zhang Daqian, their art paintings were compared. To explain the difference and connection of line drawing in Chinese and western painting. Chapter 4th, the analysis and explanation of the master of painting that Chinese traditional line drawing merges in western painting. Chinese and Western traditional painting line drawing may be very good integration, expand the field of art. 5th chapter, to summarize the full text of the Chinese and Western traditional painting line drawing may be a good combination of China and the West. In addition, this paper adopts comparative method and case analysis method, and makes a deep study on the application of line drawing in Chinese and western painting, and concludes the complementarity between Chinese and western art of line drawing, and takes the long to avoid the shortage.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205

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