移动中的庭院叙事

发布时间：2018-03-11 13:41

本文选题：庭院空间　切入点：西方绘画　出处：《美术观察》2017年10期 　论文类型：期刊论文

【摘要】：正自然的山川水泽、草木花卉并非单纯的风景,其中的江山和风光具有两重意义,前者意味着社会属性,后者涉及审美趣味。风景画大多为观众描绘出一片空间区域,以及该空间里空气流动带来的无穷变化。与西方绘画的风景不同,中国风景绘画往往被表述为山水绘画。很大程度上,庭院是这种认知方式的典型体现,在收纳自然风景于园林空间时,庭院就凸显出了一种特殊的人文意蕴,也充满着象征性和隐喻性。我认为,庭院作为特殊的媒
[Abstract]:Natural mountains and rivers, vegetation and flowers are not pure scenery, the river and mountain and scenery have two meanings, the former means social attribute, the latter involves aesthetic interest. Landscape painting mostly depicts a spatial area for the audience. Chinese landscape painting is often expressed as landscape painting. To a large extent, the courtyard is a typical embodiment of this cognitive style. When the natural landscape is included in the garden space, the courtyard highlights a special humanistic connotation, and is also full of symbolism and metaphor. I think the courtyard is a special medium
【作者单位】：清华大学美术学院;
【分类号】：J212

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