具象油画创作中的光影研究

发布时间：2018-03-11 16:33

本文选题：光影　切入点：具像油画　出处：《湖南科技大学》2014年硕士论文　论文类型：学位论文

【摘要】：具象油画在油画艺术的发展潮流中，一直追随着“求真”的美学理念，不同的表现技法和不同的绘画语言都围绕着该理念而产生。光影作为油画艺术创作中的重要因素，作为众多绘画语言产生的前提，对于追随的“求真”美学理念，具象油画创作首要解决的就是光影问题。因为光影产生，客观物象的明暗体积、色彩冷暖随之产生，客观和理性的把握光影呈现的形式和规律有利对客观物象的客观描绘，从而再现物象的形体结构。然而，当我们在具体的油画艺术创作中，往往在刻画物象时，无法准确和客观的把握和控制光影，对造型和色彩的关注一定程度上弱化了我们对于光影表现上的欲望，这便脱离了“求真”的美学理念。同时对客观物象的描绘也不能完全到达自然的状态，从而使画面的艺术效果不佳。因此，针对这一问题，本文从光影这一重要因素出发，分析光影与具象油画绘画语言的内在关系，论述具象油画光影在不同时期的不同表现形式，分析中国现当代中国具象油画转型中的光影表现，，对成功把握光影的具象油画创作者的具体光影运用的方法进行总结和归纳，找出其中的规律性和科学性。同时以光影本身的特性为出发点，论述光影的价值和意义。本篇避开前人将光影与具象油画分离，或者只谈光影与油画艺术而没有落实在具象油画这一层面上的众多观点，以理论为指导，结合实际，从一个更为本质的内在层面来评述光影在具象油画创作中的重要性。通过对油画光影的分析，揭示具象油画中的光影表现和效果，使我们在进行具象油画创作中更加的注重光影的作用，从而启迪后人。
[Abstract]:The realistic oil painting in the development trend of oil painting, along with the aesthetic concept of truth ", different techniques and different painting languages around the concept of light. As an important factor in the creation of oil painting art, as the premise of numerous painting language, to follow the" truth-seeking "aesthetic concept oil painting is to solve the concrete problems. Because the light light, the object light volume, warm and cold colors produced, forms and rules of objective and rational grasp the favorable light depiction of the objective object image, thereby reproducing images of the body structure. However, when we are in the oil painting art creation. Tend to portray the images, not accurate and objective grasp and control of light, shape and color attention weakens our desire for light performance Look, this is from the "aesthetic concept of truth". At the same time the object description cannot completely reach the natural state, so that the picture of the artistic effect. Therefore, to solve this problem, this paper from the analysis of important factors of light, shadow relationship and figurative painting painting language, discusses the concrete painting light and shadow in different forms in different periods, Chinese analysis of contemporary figurative painting Chinese lighting performance in transition, to successfully grasp the specific methods of figurative painting by the creator of the light shadow were summarized, find out the law and science. At the same time with the characteristics of light itself as the starting point, value and significance this light. This light will avoid their predecessors and figurative paintings separated, or only talking about light and painting art and no implementation of many views in figurative painting at this level, Based on the theory and practice, from a more intrinsic essence to review light and shadow in the concrete importance of oil painting creation. Through the analysis of the oil painting light, revealing the figurative paintings in lighting performance and effect, so that we pay attention to light more figurative oil painting in the role, so as to inspire future generations.

【学位授予单位】：湖南科技大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

【参考文献】