浅析北方花鸟画中梅兰竹菊的写意精神

发布时间：2018-03-12 22:07

本文选题：北方花鸟画　切入点：梅兰竹菊　出处：《哈尔滨师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：中国美术史经历了几千年的发展至今，已然呈现了一种百花齐放、百花争鸣的状态。作为中国画论中独具特色的大写意花鸟画在经过历代名家大师的推陈出新，达到了一个新的高度。在当代，高卉民先生独创的以北方高寒地区特有的山花野卉、虫豸禽鸟为绘画题材的北方花鸟画派横空出世，为中国花鸟画史填补了一块空白，拓宽了传统花鸟画的创作领域。北方花鸟画讲究大写意精神，，所画题材温故纳新，传统的梅兰竹菊“四君子”同样是北方花鸟画中必不可少的绘画题材。本文从北方花鸟画的概况入手，浅析了北方花鸟画中的写意精神的重要性；进而从历史的传承到现代的发展探索梅兰竹菊画在北方花鸟画中的地位；并从梅兰竹菊的笔墨程式在北方花鸟画中的应用、梅兰竹菊的写意精神与北方花鸟画的创新关系等方面进行分析，研究梅兰竹菊的写意精神对北方花鸟画的重要影响，从而得出了梅兰竹菊的写意精神就是北方花鸟画写意精神的重要组成部分和具体表现这一结论。
[Abstract]:Chinese art history has experienced thousands of years of development so far, has already presented a state of a hundred flowers blossom, a hundred flowers contend. As a unique Chinese painting theory of large freehand brushwork flowers and birds painting in the past after the introduction of the famous masters of the past. A new height has been reached. In contemporary times, the Northern Flower and Bird painting School, which was originally created by Mr. Gao Huimin with the unique flowers and wild flowers in the northern alpine regions and insects and birds as the subject matter, has filled a gap in the history of Chinese flower-and-bird paintings. Broaden the creative field of traditional flower-and-bird painting. Northern flower-and-bird painting stresses the spirit of large freehand brushwork, and the subject matter of the painting is gentle and new. The traditional Meilan bamboo chrysanthemum "four gentlemen" is also the essential painting theme in the northern flower and bird painting. This article starts with the general situation of the northern flower and bird painting, analyzes the importance of the freehand brushwork spirit in the northern flower and bird painting; Then from the historical inheritance to the modern development to explore the status of Meilan bamboo and chrysanthemum painting in the northern flower and bird painting, and from the application of the calligraphy and ink program of Mei Lan bamboo chrysanthemum in the northern flower and bird painting, Based on the analysis of the relationship between the freehand brushwork spirit of Meilan bamboo chrysanthemum and the innovation of northern flower and bird painting, this paper studies the important influence of the freehand brushwork spirit of Meilan bamboo chrysanthemum on the northern flower and bird painting. The conclusion is that the freehand brushwork spirit of Meilan bamboo chrysanthemum is an important part of the freehand brushwork spirit of northern flower and bird painting.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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