宋代山水诗与山水画

发布时间：2018-03-13 04:39

本文选题：山水诗　切入点：山水画　出处：《南京师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：诗与画是空间中的两条曲线,既各自发展延伸,又彼此交缠通融。只是诗画趋于异体同貌的表征与内蕴在宋代山水诗、山水画的发展进程中才逐渐明朗开来。宋代山水诗与山水画一方面共同呈现于视觉效果,诗、书、画三种艺术形式互相配合,交映生辉,另一方面也逐渐在形式、技巧上表现出对对方表现方法的借鉴,进一步丰富了各自的表现效果。除此之外,宋代山水诗、山水画也有相通一致的形式技巧,但很难说是一种艺术形式模仿另一种艺术形式,或者只是巧合。宋代山水诗与山水画的关联里,包蕴着厚重且丰盈的哲学意识、自然意识、生命意识。自然、社会、生命、艺术,构成宋代文人画士心理状态的缩影与扩张。
[Abstract]:Poetry and painting are two curves in space, which both develop and extend and intertwine with each other. On the one hand, landscape poetry and landscape painting, on the one hand, appeared in the visual effect, poetry, book, painting three forms of art to cooperate with each other, on the other hand, also gradually in the form. In addition, the Song Dynasty landscape poetry and landscape painting also have the same formal skills. But it is hard to say that one form of art imitates another form of art, or that it is just a coincidence. In the connection between landscape poetry and landscape painting in the Song Dynasty, there are rich and abundant philosophical consciousness, natural consciousness, life consciousness, nature, society and life. Art is the epitome and expansion of the mental state of the literati and painters in the Song Dynasty.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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