江南园林画创作谈

发布时间：2018-03-14 02:34

本文选题：江南园林画　切入点：三要素　出处：《苏州大学》2014年硕士论文　论文类型：学位论文

【摘要】：本人多年来一直从事江南园林画的艺术创作，试图结合自己的创作体会，就江南园林画的创作过程、创作方法提出自己的看法和一些心得。江南园林是以建筑、山水、花木为基本要素的集萃式的综合艺术王国，，本文紧紧围绕这三个方面，并将就"造园＂一说进行展开。通过查阅历代园林画的资料，研究优秀的江南园林画作品，参观各类艺术展览，研读各类艺术理论书籍和自己大量的艺术实践，总结出自己创作江南园林画的心得和体会。通过十几年对园林绘画的尝试，我觉得掌握一定的笔墨技巧、山水图式是基础，而写生是创作的关键。在江南园林画的创作中，我有几点体会：首先，讲究整体感觉和整体处理；其次，要注重平视和俯视的结合；第三，注重多遍、多层次的点染。
[Abstract]:I have been engaged in the artistic creation of Jiangnan garden painting for many years. I try to combine my own creative experience and put forward my own views and some experiences on the creative process and method of Jiangnan garden painting. Jiangnan garden is a comprehensive art kingdom with architecture, landscape, flowers and trees as the basic elements. This paper focuses on these three aspects and will carry out the theory of "gardening". This paper studies the outstanding garden paintings of Jiangnan, visits various kinds of art exhibitions, studies various kinds of art theory books and their own large number of art practices, and sums up their own experiences and experiences in the creation of Jiangnan garden paintings. Through more than ten years' attempt on landscape painting, I feel that mastering certain ink and pen skills, landscape schema is the foundation, and sketching is the key to creation. In the creation of Jiangnan garden painting, I have several experiences: first of all, Pay attention to the overall feeling and overall processing; second, pay attention to the combination of level view and overlooking; third, pay attention to multiple, multi-level spot dyeing.
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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