敦煌美术遗产与中国油画家的实践

发布时间：2018-03-14 09:37

本文选题：敦煌　切入点：美术遗产　出处：《西北民族大学》2013年硕士论文　论文类型：学位论文

【摘要】：本文以敦煌美术遗产与中国油画家的实践为出发点,通过历史转型期的典型艺术事件来分析美术工作者在历史上倡导的美术观点。他们所处的时代与美术观点直接影响指导了他们的艺术实践。通过敦煌美术遗产与中国油画家实践的研究,旨在分析中西方艺术之间的差异与中国油画的现代转型。每个时代及艺术转型期都有着众多艺术家在绘画的民族性上做过思考与实践。油画作为外来画种,要符合中国国民的审美趣味,就需要一些先行者的实践。随着时代的更迭与文化的融合,二十世纪作为油画在中国发展的重要历史时期许多文艺工作者都在这个历史大背景下做过探索和实践。本文选取二十世纪初到二十世纪五六十年代的历史时间段来论述在油画实践方面与敦煌美术遗产联系紧密的艺术家。在艺术的发展道路上,他们有着相似的经历,都曾留学西方,接受过西方文化与艺术。而当面对自身所处的文化艺术传统时,他们以对自己本民族文化尊重的态度,开始研究传统并立足本土,将中西方两种文化体系作积极的联接、主动地建构和自觉的融创,探索和发展着油画在中国的民族化、本土化。
[Abstract]:This article takes Dunhuang art heritage and the practice of Chinese oil painters as the starting point. Through the typical artistic events in the period of historical transformation, this paper analyzes the art viewpoints advocated by the art workers in history. Their times and views have a direct influence on their art practice. A study on the practice of Chinese Oil painters, The purpose is to analyze the difference between Chinese and western art and the modern transformation of Chinese oil painting. In every era and in the period of artistic transformation, many artists have thought and practiced the nationality of painting. As a kind of foreign painting, oil painting should conform to the aesthetic taste of Chinese people. Need some forerunner's practice. With the change of times and the fusion of culture, In 20th century, as an important historical period of oil painting development in China, many literary and art workers have made exploration and practice under this historical background. This paper selects the historical period from 20th century to 20th century in the 1950s and 1960s. To discuss the artists who are closely connected with Dunhuang art heritage in oil painting practice. They have a similar experience, have studied in the West, accepted western culture and art, and when faced with their own cultural and artistic traditions, they began to study tradition and establish their own place in an attitude of respect for their own culture. This paper makes a positive connection between Chinese and western cultural systems, actively constructs and creates consciously, and explores and develops the nationalization and localization of oil painting in China.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

【参考文献】