倪瓒山水画图式研究

发布时间：2018-03-15 01:28

本文选题：图式　切入点：山水画　出处：《云南师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：山水画图式是中国山水画所特有的构成，是与中国山水画的传承、创新与发展不可分割的一部分。倪瓒是元代极具个性的文人画家，他通过对前人作品和对同代文人画作的研习和借鉴，创造形成了具有自己鲜明特色的山水画图式。倪画中的山、石、树木、水等物象都打上了鲜明的个人烙印，他的艺术思想融入远山、阔水、枯树、草亭等物象，这些特有的物象融入作品中整体和谐地存在着，他的画作与“逸气说”思想对后代绘画产生了重大影响，一直延续到今，他特有的“一水两岸”、三段式山水画图式经过各个时期的不同发展，在前、中、后期又分别倾向于各阶段的不同的特征，倪瓒的山水画构图以简取胜，简中寓繁，，他的艺术思想个性的融入在晚期形成并成熟，是倪瓒内在精神与外在形式的统一体现，是对“逸”的最高追求。
[Abstract]:Landscape painting pattern is a unique composition of Chinese landscape painting, and is an integral part of the inheritance, innovation and development of Chinese landscape painting. Ni Zan is a literati painter with great personality in Yuan Dynasty. By studying and drawing lessons from his predecessors' works and his paintings of literati of the same generation, he created a landscape painting pattern with his own distinctive characteristics. The images of mountains, stones, trees, and water in Ni paintings were all marked with distinct personal imprints. His artistic thoughts are integrated into the distant mountains, wide waters, dead trees, grass pavilions, and so on. These unique images exist harmoniously in the works as a whole. His paintings and the idea of "Yi Qi Theory" have had a great impact on the paintings of future generations, and have continued to this day. His unique "water and water two sides", the three-section landscape painting pattern through the different development of each period, in the former, the middle, the later period respectively inclines to the each stage different characteristic, Ni Zan's landscape painting composition wins by the simple, the simple and complex, The integration of his artistic thought and personality formed and matured in the late stage, which was the unity of Ni Zan's inner spirit and external form, and the highest pursuit of "Yi".
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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