风情版画创作研究（1978-1989）

发布时间：2018-03-21 01:22

本文选题：地域文化　切入点：风情版画　出处：《华中师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：在1978年至1989年这段时期,中国版画创作开始复苏并进入了一个全新的阶段。全国各地恢复了版画和其他相关的美术展览。这些展览成为了中国版画创作成果最直接的呈现形式,各地的版画创作群体开始加入版画创作的大军中。随着改革开放的发展,艺术家们的创作热情也得到了空前的提升,国外艺术思潮的涌入也给中国的版画创作注入新的能量。版画创作的风格也从过去单一的政治性题材创作开始转向对自然景观和内心情感的描绘,风情版画的创作也进入了巅峰期。选择研究这个时期的原因,是为了分析出该时期的版画创作在逐渐脱离文革版画倾向之后所呈现出的新状态,以及地域文化对艺术家创作给予了哪些方面的支持,并最终总结出本论文的核心观点:地域文化和制度性展览互动下的风情版画究竟是什么状态。本文以上世纪70年代末到80年代的风情版画为研究对象,以及在这段时期举办的“全国美术作品展览”和“全国版画作品展览”中的部分作品作为研究对象,将这个时期的制度性展览和风情版画发展的关系作为重点分析的部分。本文主要描述和探讨的是以下几个部分的内容:第一部分,全国各地开始复办制度性展览,风情版画的创作随之兴起并流行。黑龙江、四川、云南和贵州等地的版画创作群体开始跃居前列。第二部分,版画创作的内容从过去的有主题先行的政治题材版画转向注重个人审美和内在追求的形式。地域文化资源给予了地方专业的版画创作团队灵感来源,团队力量随着风情版画的创作稳固发展。第三部分,风情版画在全国性的展览取得了良好的反响,受到了业界的认可。地域文化通过风情版画得到了有效的传播。制度性展览和地域文化对风情版画产生了深厚的影响。
[Abstract]:From 1978 to 1989 this period, Chinese printmaking began to recover and entered a new stage. Prints and other related art exhibition restored all over the country. These exhibitions became a form of Chinese printmaking results of the most direct, around the printmaking group began to join the printmaking force. With the development of the reform and opening up, artists' enthusiasm has been an unprecedented increase, the influx of ideas to foreign art China printmaking and inject new energy. The print creation style from the past a single political theme creation began to depict the natural scenery and emotion, style prints creation has entered peak period. Choose to study the causes of this period, in order to analyze the state of the new period of printmaking show after gradually from prints and tendency. The regional culture which give the support to artists, and finally summed up the key point of this paper: how regional culture and institutional exhibition under the interaction style print is what state. In this century at the end of the 70s to 80s style prints as the research object, and held in this period of "National Art Exhibition" and the "national Print Exhibition" part of the works as the research object, the relationship between the period of the exhibition system and style print development as a key part of the analysis. This paper mainly describes and discusses the following several parts: the first part, the country began to re run the system of exhibition prints creation style along with the rise and popularity. Heilongjiang, Sichuan, Yunnan and Guizhou and other places of printmaking creation group began leapt to the forefront. In the second part, the content from the print creation Go to the theme of political prints to pay attention to personal and aesthetic pursuit of intrinsic form. The regional culture resources has given local professional printmaking team inspiration, team strength with stable development style prints creation. In the third part, the print style achieved a good response in the national exhibition, has been recognized by the industry get through the customs. The regional culture prints of effective communication. The system of exhibition and regional culture has a profound impact on the style of printmaking.

【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J217

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