现代中国人物画的空间表现研究

发布时间：2018-03-22 21:19

本文选题：现代中国人物画　切入点：空间　出处：《青岛大学》2015年硕士论文　论文类型：学位论文

【摘要】：空间表现是中国绘画体系里的一个重要的环节,中国古代哲学思想决定了中国绘画的空间构成追求主体与客体、物质与精神、时间与空间的和谐统一,而这样的审美理想在中国悠久的历史沿革中平静的传承,直到上世纪初中国受到中西方文化的冲击与震荡,出现了巨大的质的改变。现代中国人物画的发展是20世纪以来中国人物画融合西方文化和艺术观点、艺术形式的结果。中国现代人物画的空间观念具有开放性和多样性的特点,是画家根据自己的审美理想、思维模式和空间感受,借鉴东方与西方、古典与现代的各类空间元素和形式,结合多种空间图式以及画面本身的需要创造出的有时代特色的空间体系。这种空间的创新为现代中国人物画探索新的绘画空间语言提供了可能性。现代中国人物画空间体系的源头是中国古代的视觉空间观念,以大观小、虚实相生是中国古代空间观照的法则,现代中国人物画空间构成的研究离不开对传统的借鉴与继承。徐蒋体系打破了中国人物画空间体系的一脉相传,变革带来了质的发展和创新,通过对西方写实主义的借鉴与学习,融合传统的、当代的时代特色,形成了中国现代人物画的空间特点。现代中国人物画在透视、虚实、笔墨与色彩等空间元素上与传统、与西方相比有自己的特点,也互相存在共融的趋势。在当代,中国人物画的空间构成越来越多元化,画家们更加注重个性的表达与对社会的关注,同时也越来越注重观念的表现与传达。通过对现代中国人物画视觉空间的探索与发现,我们也许能够从中得到启示,了解传统与现代的关系,明确自身的艺术道路,正确地传承与创新。
[Abstract]:Space expression is an important link in the Chinese painting system. The ancient Chinese philosophy determines the harmonious unity of the subject and object, material and spirit, time and space. Such aesthetic ideals were passed down peacefully through the long history of China until the beginning of the last century, when China was impacted and shaken by Chinese and Western cultures. The development of modern Chinese figure painting is the result of the fusion of western cultural and artistic views and artistic forms since the 20th century. The spatial concept of modern Chinese figure painting is characterized by openness and diversity. Is the painter according to their own aesthetic ideal, mode of thinking and spatial feelings, learn from the East and the West, classical and modern space elements and forms, This space innovation provides the possibility for modern Chinese figure painting to explore new painting space language. The source of the painting space system is the concept of visual space in ancient China. It is the law of Chinese ancient space to look at the space from the big view and the small, and the study of the space composition of the modern Chinese figure painting can not be separated from the traditional reference and inheritance. Xu Jiang's system has broken the tradition of the space system of the Chinese figure painting. The change has brought the qualitative development and innovation, through the western realism reference and the study, merges the traditional, the contemporary time characteristic, has formed the Chinese modern figure painting space characteristic. The space elements such as brush, ink, color and so on have their own characteristics compared with those of the West, and there is also a tendency to blend with each other. In contemporary times, the space composition of Chinese figure painting is becoming more and more diversified. Painters pay more attention to the expression of personality and the concern of the society, and pay more and more attention to the expression and communication of ideas. Through the exploration and discovery of the visual space of modern Chinese figure painting, we may be able to draw inspiration from it. Understand the relationship between tradition and modern, clear their own art path, correctly inheritance and innovation.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212

【相似文献】