视觉时代插画语言的艺术研究

发布时间：2018-03-23 01:14

本文选题：插画　切入点：视觉时代　出处：《辽宁师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：插画具有悠久的历史，从古至今在人类的社会生活中都扮演着重要的角色。从最初原始社会的壁画开始，就已经在人们的生活中扮演着尤为重要的作用，它为人们记录下当时生活的状态，乃至今天为现代科学、考古提供了优越的调研依据。插画艺术已成为21世纪的一门多载体实用技术，形成了一个多学科交叉的传播媒介，其影响力渗透到当今经济、文化、生活的各个层面。在新的时代背景下，从时代的角度望去，探讨现代插画语言的表现形式是十分必要的，由于该领域的研究相对滞后，因此，本次论文将站在时代背景的宏观角度上对现代插画语言的表现形式进行剖析。插画语言是感性的语言交流，它会指引、感动、调动人们的情绪，并能很好地将人们参与到其中。图形图像在不同的国家或地区都可以让人们感受到图形的语意，使沟通与交流更加便捷。插画设计通过丰富的造型表现传达出想要表达的主题，使读者能够直观、形象地进行思想交流。本篇论文研究的目的在于：插画语言在世界范围内根据国家、种族、民族、群体等因素形成很多的绘画风格，然而，在中国，更多的插画设计者往往在想象着达到世界化水准的同时忘记了本土特色，然而民族的，才是世界的这个概念在中国没有很好的发扬与扩大，一些人们更是走了效仿国外风格的捷径。2012年，当中国召开十八大会议之后，尤其是我们作为80后的插画设计者更应该借着东风努力实现走民族特色的艺术道路，使具有中国特色的设计作品走向世界。在全球经济一体化的今天，提倡和追求民族特色具有重要的文化战略意义。本篇论文的研究方法主要为资料收集、查阅以及导师的启发，本文试图通过对视觉时代以及插画语言的概念、插画的分类、插画语言的特点和规律等进行探讨和分析。本文综合运用了分析法、归纳法、比较法、个案研究法等多种研究方法。并对现代中国数码插画有关的报纸、杂志、书籍以及网络上关于现代数码插画、中国传统特色等相关内容的论述进行检索、整理。最后对中国当代数码插画未来的发展做一个前瞻性的研究。
[Abstract]:Illustration has a long history and has played an important role in human social life since ancient times. From the beginning of the original society murals have played a particularly important role in people's lives. It provides an excellent research basis for people to record the state of life at that time, and even today for modern science and archaeology. Illustration art has become a multi-carrier practical technology in the 21st century, forming a multidisciplinary communication medium. Under the background of the new era, it is very necessary to probe into the manifestation of modern illustration language, because the research in this field is lagging behind, so it is necessary to explore the expression form of modern illustration language from the angle of the times, because the research in this field is lagging behind. This paper will analyze the manifestation of modern illustration language from the macroscopic angle of the background of the times. Illustration language is a kind of perceptual language exchange, which will guide, move and mobilize people's emotions. Graphics and images in different countries or regions can let people feel the meaning of graphics, make communication and communication more convenient. So that readers can intuitively and vividly communicate ideas. The purpose of this thesis is to form a lot of painting styles around the world according to national, racial, national and group factors. However, in China, More illustrator designers often imagine reaching a cosmopolitan level while forgetting their native characteristics. However, the concept of the world as a nation has not been well developed and expanded in China. Some people have taken a shortcut to emulating foreign styles. In 2012, when China held the 18th National Congress, especially as post-80s illustrator designers, we should take advantage of Dongfeng to realize the art path of national characteristics. It is of great cultural and strategic significance to advocate and pursue national characteristics in today's global economic integration. The research methods of this thesis are mainly data collection, reference and inspiration from teachers. This paper attempts to classify illustrations through the concepts of visual age and illustration language. The characteristics and laws of illustration language are discussed and analyzed in this paper. This paper makes comprehensive use of analytical method, inductive method, comparative method, case study method, and so on. It also makes use of newspapers and magazines related to digital illustration in modern China. The book and the exposition about modern digital illustration, Chinese traditional characteristic and so on on the network carries on the retrieval, arranges. Finally, makes a prospective research on the future development of the Chinese contemporary digital illustration.
【学位授予单位】：辽宁师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J218.5

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