东方佛造像对巴尔蒂斯人物造型的影响

发布时间：2018-03-23 07:41

本文选题：巴尔蒂斯　切入点：佛造像　出处：《福建师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：巴尔蒂斯的作品属于具象绘画的范畴,画面中同时具有崇高的古典意味和直现内心视象的神秘超脱气息,而不同于传统具象绘画的是,巴尔蒂斯追求对表象背后的内在精神状态的观察和理性体悟,画面中饱含了美感和宇宙观的多层体现。本文将巴尔蒂斯画作中的人物造型与佛造像形象进行对比观察研究,主要指向于佛造像的视觉特征、超脱虚静的生命精神状态与巴尔蒂斯人物造型的形象及审美精神特征之间的视觉和情感关系。从外化形象的造型处理上看,巴尔蒂斯在其作品中对人物造型的高度技艺的提炼,其中处理手法与东方佛造像之间有相似之处；从审美意境上看,巴尔蒂斯人物绘画所传达的物我相照和虚静意味的精神层次,与东方佛造像的艺术情感达到契合。这两点特质的相融合,使得巴尔蒂斯人物造型既有客观外形的真实感,也有超越这个层次的精神内涵,从而体现出巴尔蒂斯独具东方意味的造型形态和审美高度。巴尔蒂斯毕生崇敬和神往东方文化,他不断地从东方文化艺术中吸取营养,与他自身的文化结构融会贯通,某种角度上说,佛家文化与艺术植入了画家的艺术探索和自我修养之中,成为他画作中不可或缺的精神特质,也为他的绘画创造染上了东方神秘主义的色彩。巴尔蒂斯人物造型的形神意蕴使人生出超尘拔俗的联想,显示出其艺术的高贵品格和造型探索的不凡成就,也体现了东西方两种文化和艺术在高层次上的完美契合与一体性。
[Abstract]:Baltiz's works belong to the category of figurative painting, in which there is at the same time a lofty classical meaning and a mysterious and transcendent atmosphere of inner vision, which is different from the traditional figurative painting. Baltiz pursues the observation and rational understanding of the inner state of mind behind the image, and the picture is full of the multi-layer embodiment of aesthetic and cosmological views. This paper makes a comparative observation and study of the figures in Baltiz's paintings and the images of the Buddha statues. It mainly points to the visual characteristics of the Buddha statue, the visual and emotional relationship between the transcendent life spirit state and the image and aesthetic spirit characteristic of Baltiz characters. In his works, Baltiz refines the high skill of character modeling, in which there are similarities between the handling techniques and the statue of the East side Buddha; from the point of view of aesthetic conception, Baltiz's character painting conveys the spiritual level of "I" photograph and "empty and quiet" meaning, which is in agreement with the artistic emotion of the statue of the East Fang Buddha. The fusion of these two characteristics makes the character shape of Baltiz have a realistic sense of objective shape. There are also spiritual connotations that transcend this level, thus reflecting Baltiz's unique oriental shape and aesthetic height. Baltiz worships and admires oriental culture all his life, and he constantly absorbs nutrients from Oriental culture and art. With his own cultural structure, in a way, Buddhist culture and art are embedded in the painters' artistic exploration and self-cultivation, and become an indispensable spiritual trait in his paintings. He also painted his paintings with the colors of Oriental mysticism. The shape and spirit of Baltiz's characters made people associate themselves with extraordinary customs, showing their noble artistic character and extraordinary achievements in modeling exploration. It also reflects the perfect agreement and unity of the two cultures and arts at the high level.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

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