浅谈现代水墨的大众化

发布时间：2018-03-26 04:26

本文选题：当代水墨　切入点：大众化　出处：《首都师范大学》2013年硕士论文

【摘要】：相对于传统的中国文人画,现代水墨是一个时间的概念,是在当下的文化语境中对笔墨的描述与阐释。本文中的现代水墨主要是从时间的维度上讨论中国画的继承与创新,旨在讨论在当下艺术语境下现代水墨对行为生活的观照。当代水墨在渗透了时代赋予它的精神内涵之后能不能作为与社会对话的工具?传统笔墨的精神内核能不能包容当下文化碰撞中呈现出的矛盾?我希望创作出对观众没有压力的作品,尽最大可能的贴近大众。而在完成这个目标的过程中,还有一个关键的问题是我无法忽略的。那就是如何在贴近大众的作品中保持绘画作品的艺术性。艺术性正是绘画作品价值的主要体现,这种特性正是绘画作品不同于商品的决定性因素,是无法用市场定义的重要原因。
[Abstract]:Compared with traditional Chinese literati painting, modern ink painting is a concept of time, which is the description and interpretation of brush and ink in the present cultural context. In this paper, modern ink painting mainly discusses the inheritance and innovation of Chinese painting from the perspective of time. The purpose of this paper is to discuss the reflection of modern ink painting on behavior and life in the context of contemporary art. After permeating the spiritual connotation given to it by the times, can contemporary ink wash be used as a tool for dialogue with society? Can the spiritual kernel of traditional pen and ink contain the contradictions in the collision of current culture? I want to create works that have no pressure on the audience to be as close to the public as possible. And in the process of achieving this goal, There is also a key problem that I cannot ignore. That is how to maintain the artistry of paintings in works close to the masses. Artistry is the main embodiment of the value of paintings. This characteristic is the decisive factor that the painting is different from the commodity and the important reason why it is impossible to define by the market.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【参考文献】