综合材料在工笔画中的运用研究

发布时间：2018-03-26 14:20

本文选题：工笔画　切入点：综合材料　出处：《延边大学》2017年硕士论文

【摘要】：传统工笔画的绘画特点就是"工细",讲究工整的线条和严谨自然的设色。发展到至今工笔画已然形成了完整的绘画体系,回顾几千年的工笔画发展历程,在其内容、技法、风格都有着显著的变化。我们一直从其时代背景,经济发展,社会人文的角度去分析工笔画的发展与变革。而作为一名学习绘画的学生,在作品的创作过程中发现,不同的材料对于最终形成的绘画的风格,有着巨大的影响。本文首先从综合材料的角度出发回顾了工笔画中传统材料的发展历程,并阐述了综合材料的概念以及分类。传统材料,是我们对从过去被沿用至今的材料的一种统称。绘画材料本身就源自于生活中的各类用品,没有单独从开始就服务于绘画而产生的独立材料。随着后来的发展和演变传统的绘画材料也是从庞大的综合材料体系中慢慢固定下来的一些材料。综合材料,简单解释就是跨越了画种的界限和材料的使用范畴,将一切可以使用的媒介材料加上技法运用到绘画中。基本可以分成四大类;金属材料、软材料、有机高分子材料和现成品。在第三章当中本人三个方面分析了材料的改变对工笔画的影响。首先技法运用的拓展,关于新技法主要指第一古法新用;第二就是指吸取外来的绘画技法。但为了凸显其内心的想法和视觉效果,艺术家们在画面上所展示多是一种以上的复合技法。其次视觉效果的丰富,现今人们的思想审美都在进步,传统工笔画单一的材料技法,无法满足作家表现自我时对画面视觉感的追求,而综合材料能迎合作家的创作需求,提供多种方式丰富工笔画的绘画语言。最后,是审美方向的改变,为了迎合现代人的审美需要,画家更多地去寻求绘画语言的表现方式,而材料的丰富也在影响着绘画审美的方向,这种影响有时直接推动了审美的发展方向。以上三点都以实例分析的方式对现今具有代表性的工笔画家如:张导曦、唐勇力、陈子、罗寒蕾人的作品进行了研究。第四章则是对自己毕业创作实践过程的阐述。主要以拓印的技法为主,在拓印的基础上选择了不同的材料来进行实践创作。本人尝试用不同的拓印材料来处理画面,整个创作过程中的主要使用到的材料有玻璃板、白乳胶、塑料薄膜、温州皮纸、国画颜料、丙烯颜料、毛笔、排刷等,力求所使用的新材料能与传统的绘画融为一体增加画面的表现力,四幅画都已"荷花"作为创作主题,但是希望通过不同的创作手段和拓印材料表现出不一样的画面效果。第五章结语则是本人对这次综合材料在工笔画中的运用研究中整体的一些感悟和心得,对在综合材料和工笔画之间的关系进行了总结。
[Abstract]:The painting characteristic of traditional fine brushwork is "fine work", pay attention to neat lines and rigorous and natural colors. Until now, fine brushwork painting has formed a complete painting system. Looking back on the development course of thousands of years of fine brushwork painting, in its content and technique, There have been significant changes in style. We have been analyzing the development and transformation of fine brushwork from the perspective of its background, economic development and social humanities. As a student of painting, we have found that in the process of creating works, Different materials have a great influence on the style of painting. Firstly, this paper reviews the development of traditional materials in fine brushwork from the perspective of comprehensive materials. The concept and classification of synthetic materials are expounded. Traditional materials are a general term for materials that have been used from the past to the present. Painting materials themselves are derived from all kinds of articles in daily life. There is no independent material that serves painting from the beginning alone. As it develops and evolves later, traditional painting materials are also materials that are slowly fixed from a large composite material system. Simple explanation is to cross the boundaries of painting and the use of materials, all available media materials plus techniques to apply to painting. Basically can be divided into four categories: metal materials, soft materials, In the third chapter, I analyze the influence of the change of materials on the painting. First, the development of the application of the techniques, about the new techniques mainly refers to the first ancient method of new use; The second point is to draw on foreign painting techniques. But in order to highlight their inner thoughts and visual effects, artists show more than one composite technique on the screen. Secondly, the visual effects are rich. Nowadays, people's ideology and aesthetics are progressing, the traditional techniques of single material of fine brushwork can not satisfy the writers' pursuit of visual sense of picture when they express themselves, and the comprehensive materials can meet the writers' creative needs. Provide a variety of ways to enrich the painting language of fine brushwork. Finally, it is the change of aesthetic direction. In order to meet the aesthetic needs of modern people, painters seek more ways to express painting language. The richness of materials also affects the direction of painting aesthetic appreciation, which sometimes directly promotes the direction of aesthetic development. The above three points are used to analyze the typical painters of meticulous brushwork such as Zhang Qiaoxi, Tang Yongli, and Chen Zi. Luo Hanlei's works are studied. The fourth chapter is about the process of his graduation creation. On the basis of printing, I choose different materials for practical creation. I try to use different printing materials to process the picture. The main materials used in the whole process of creation are glass plate, white latex, plastic film, Wenzhou leather paper. Chinese painting pigments, acrylic pigments, brushes, brushes, and so on, strive to use new materials and traditional painting to increase the performance of the picture, the four paintings have "lotus" as the theme of creation. However, I hope to show different picture effects through different creative means and extension materials. The fifth chapter is the conclusion of my understanding and experience on the application of this comprehensive material in the study of the application of this comprehensive material in fine brushwork. The relationship between comprehensive materials and fine brushwork is summarized.
【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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