浅析当代写意人物画中的色彩观

发布时间：2018-03-27 19:51

  本文选题：写意人物画　切入点：色彩　出处：《山东师范大学》2016年硕士论文

【摘要】：色彩作为绘画的表现方式之一,自远古时代就受到人们的重视,但在写意人物画的发展历程中它却长期处于一种被抑制的状态,传统中国画中重笔墨、轻色彩的观念至今仍影响着大批的写意人物画家。改革开放以来,思想的解放和西画色彩理论的融入,使当代写意人物画家开始重视对色彩的探索。他们在继承传统水墨文化的基础上,吸收借鉴其他画种在色彩探索方面的成功经验,在自己的创作中不断地探索运用新材料,从而寻找到自己独特的绘画语言,探索并推动着写意人物画色彩的发展,使写意人物画展现出符合时代精神的新境界。本文共分为三章:第一章从中国传统绘画的色彩文化、西画色彩理念以及民间美术这三个角度来分析当代写意人物画色彩观的形成;第二章主要是从材料、技巧和形式这三个方面,来阐述当代写意人物画色彩表现的多元化;第三章选取对我影响比较大的当代写意人物画家,通过对他们的具体作品分析,探讨他们在创作中的色彩追求,并分析我在写意人物画创作中的实践与思考。
[Abstract]:As one of the expression ways of painting, color has been paid attention to since ancient times, but in the development of freehand brushwork painting, it has been in a state of being restrained for a long time. The concept of light color still affects a large number of freehand brushwork painters. Since the reform and opening up, the emancipation of ideas and the integration of Western painting color theory, It makes contemporary freehand brushwork painters begin to attach importance to the exploration of color. On the basis of inheriting traditional ink and water culture, they absorb and learn from the successful experience of other painting types in color exploration, and continue to explore and use new materials in their own creation. In order to find its own unique painting language, explore and promote the development of freehand figure painting color, so that freehand figure painting shows a new realm in line with the spirit of the times. This paper is divided into three chapters: the first chapter from the traditional Chinese painting color culture, Western painting color concept and folk art to analyze the formation of contemporary freehand figure painting color view, the second chapter is mainly from the material, skills and forms of these three aspects, to elaborate contemporary freehand figure painting color performance diversity; The third chapter selects the contemporary freehand brushwork painters who have great influence on me, through the analysis of their concrete works, discusses their color pursuit in the creation, and analyzes my practice and thinking in the freehand figure painting creation.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J212
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本文编号：1672990