从传统矿物质颜料的视角谈中国画的保存问题

发布时间：2018-03-27 23:23

本文选题：传统矿物质颜料　切入点：化学颜料　出处：《湖北美术学院》2017年硕士论文

【摘要】：在中国悠久绘画史的长河里,传统天然矿物质颜料占据着相当长的一部分。早在新石器时代,远古社会的人们通过铸鼎来描摹当时的生活情景,在崖壁上绘画那时的社会面貌,这就是最初始的岩画。这些岩画历经万年之久,现在仍能被我们所看到,绘画时所使用的颜料在里面起着至关重要的作用。从古至今,我们可以从存世的画作中看到那时的绘画观念之变化,各个时代的审美趣味之不同。在这里面,绘画思想的发展也反映着中国画颜料的变迁。关于中国画与中国画思想的演变已有大量画家和学者做出了详尽的研究与探讨,甚至连绘画工具——笔墨纸砚都有着系统的研究,可是关于中国画另一个重要组成部分——中国传统天然矿物质颜料的研究却少之又少。在当今画坛里,可以说对中国传统矿物质颜料是相当不重视的,甚至更严重的说,现今中国画的学习者大多都认为锡管颜料就是中国画的传统颜料,而不知矿物质颜料为何物,更不知该如何正确使用。但是对于一张画作来说,在长久的岁月里能否妥善地完整保存,留存后世,颜料的使用是至关重要的,而这其中,普遍被使用的锡管装化学颜料到底能否长久保证不变色不脱落,这是一个很大的疑问。研究传统矿物质颜料的意义在于从根本上加强对中国画的保护。由于中国画所使用的材质上的特殊性,决定了中国画对科学保存的要求十分苛刻,而颜料的颜色究竟能保持多久则是决定书画寿命的关键所在。对中国传统矿物质颜料研究的加强与重视,是从根本上保护中国画这一传统文化遗产的有效措施。
[Abstract]:In the long river of China's long history of painting, traditional natural mineral pigments occupied a very long part. As early as the Neolithic Age, people in ancient society used to cast tripod to describe the life of the time, and to paint the social outlook of that time on the cliff. This was the very beginning of rock paintings, which have been around for thousands of years, and are still being seen today, and the paint used in painting plays a vital role in them. We can see from the paintings that exist at that time, the changes in the concept of painting, the different aesthetic tastes of different times. The development of painting thought also reflects the change of Chinese painting pigments. A large number of painters and scholars have made detailed research and discussion on the evolution of traditional Chinese painting and Chinese painting thought, and even the painting tool-paper and inkstone-has been systematically studied. However, there is very little research on traditional Chinese natural mineral pigments, another important component of Chinese painting. In today's painting world, it can be said that the traditional Chinese mineral pigments are not paid much attention to, or even more seriously, Nowadays, most learners of Chinese painting think that tin pipe pigments are the traditional pigments of Chinese paintings, but they do not know what the mineral pigments are, let alone how to use them correctly. But for a painting, The use of pigments is crucial for the proper and complete preservation and retention of future generations over a long period of time, and whether the commonly used tin tube chemical pigments can last long enough to ensure that they do not discolor and do not fall off. This is a big question. The significance of studying traditional mineral pigments is to fundamentally strengthen the protection of Chinese paintings. Because of the particularity of the materials used in Chinese paintings, the requirements for scientific preservation of Chinese paintings are very harsh. The key to the life of calligraphy and painting is how long the color of pigments can be maintained. Strengthening and attaching importance to the study of Chinese traditional mineral pigments is an effective measure to protect the traditional cultural heritage of Chinese painting.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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