水墨艺术在动画造型创作中的应用研究

发布时间：2018-03-27 23:28

本文选题：水墨艺术　切入点：动画造型　出处：《西北大学》2013年硕士论文

【摘要】：中国动画在八十多年的发展历程中,曾创造过辉煌的成绩,“中国学派”的美誉闻名于世。但是,自九十年代以来,中国动画的发展几乎处于停滞状态。在外来动画风格的强烈冲击下,中国动画在创作观念与创作方法上失去了方向,外来元素成为主流,本土文化艺术底蕴严重缺失。动画造型是整个动画作品中最为关键的部分,造成中国动画如今尴尬处境的原因之一就是缺乏特色鲜明、文化底蕴浓厚的动画形象。要想摆脱外来动画造型观念的侵蚀,就必须善于发现我们本民族文化艺术传统的优势与长处,从传统艺术这片肥沃的土壤中找到养分,创作出属于我们本土气质的动画形象。水墨艺术不但具有悠久的文化历史,更是中国人思想观念、情感意志的物象表达,它承载着中华民族深厚的传统文化积淀,是最具民族性的艺术形式。水墨艺术与动画造型都共同具有绘画性、造型性、表现性的特征,甚至在象征性与虚拟性上也较为类似。尤其是在表现性上,两者对形体的捕捉都以超自然的主观再造力见长,巧妙的夸张变形、灵活的提炼组合等是它们擅长的手段。这些条件为水墨艺术在动画造型中的应用提供了实践基础,因此,本课题的研究旨在探讨如何继承与发挥水墨艺术优良的文化艺术精髓,挖掘出适用于中国动画语言创新的表现要素,使其合理、有效地运用于动画造型创作中,以维持中国动画艺术水墨语言魅力的生生不息。
[Abstract]:Chinese animation has made brilliant achievements in the development of more than 80 years, and the "Chinese School" is famous all over the world. However, since the 1990s, The development of Chinese animation is almost at a standstill. Under the strong impact of foreign animation style, Chinese animation has lost its direction in creative concepts and methods, foreign elements have become the mainstream, and local culture and art have been seriously missing. Animation modeling is the most important part of the whole animation works. One of the reasons for the embarrassing situation of Chinese animation nowadays is the lack of animation image with distinctive characteristics and strong cultural background. In order to get rid of the erosion of the concept of foreign animation modeling, We must be good at discovering the advantages and advantages of our national cultural and artistic traditions, find nutrients from the fertile soil of traditional art, and create animated images belonging to our native temperament. Ink art not only has a long cultural history, but also the Chinese people's ideas, emotional will of the expression of the object, it carries the Chinese nation's deep accumulation of traditional culture, It is the most national art form. Both ink and ink art and animation modeling have the same characteristics of painting, modeling, expressiveness, even in symbolism and fictionalness, especially in expressiveness. Both of them are good at capturing objects by supernatural subjective reinventing force, ingenious exaggeration and deformation, flexible extraction and combination, etc. These conditions provide a practical basis for the application of ink and wash art in animation modeling, so, The purpose of this research is to explore how to inherit and give play to the fine cultural and artistic essence of ink and wash art, to excavate the expression elements suitable for Chinese animation language innovation, and to make it reasonable and effective in animation modeling. In order to maintain the Chinese animation art ink language charm.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J218.7

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