当前位置:主页 > 文艺论文 > 绘画论文 >

当代都市水墨人物画的情感与形式

发布时间:2018-03-28 08:28

  本文选题:当代 切入点:情感 出处:《郑州大学》2013年硕士论文


【摘要】:水墨人物画在中国绘画领域占据着重要的地位。高品格的水墨画都是情感性与艺术性高度统一的作品,有理想有艺术追求的艺术家,会不断的探索新的表现形式来传达内心的情感。20世纪80年代,特别是改革开放以来,在外来文化和艺术思潮的冲击下,中国画在多元的社会文化语境下处于多元化并存的时期。中国画家的思想也发生了深刻的变化,以往以表现现实生活为主的画家们开始在自己作品里更加注重本体精神的表述,注重观念与内涵的表现,他们更加关注现实生活中的人的生存状态和思想变化,绘画的形式也从单一转向了多元化,为了表达的需要,有些画家探索了夸张与变形的造型,有些画家探索了平面化、非理性的空间图式,有些画家大胆借用西方色彩和构成原理,有些画家笔墨转向了情绪化,大都从程式化、意向化走向了多元化与个性化,更多的渗透了画家个人的情感倾向和对绘画本体审美特质的体现。 本文通过对当代都市水墨人物画中情感与形式的分析,更好的了解当代都市水墨人物画创作的规律与特点,为自己的绘画实践理清思路,使自己在关注现代人生存状态的同时,感受现代人的心理诉求,从而创作出感人至深的作品。文章第一部分主要是对当代都市水墨人物画产生及其产生的原因进行解读,第二部分分析了影响当代都市水墨人物画家情感的因素,这里写了社会变革和传统文化以及画家个人气质、经历对情感的影响,第三部分是文章的重点,论述了情感影响下当代都市水墨人物画对形式的新探索,以及通过对当代具有代表性的几位画家作品的分析更好的解读当代都市水墨人物画中的情感与形式,文章最后论述了当代都市水墨人物画情感与形式对我绘画创作的启示,文章指出情感与形式是不可分割的整体,情感需要借助形式进行表达,而没有情感的形式也是没有意义没有思想的,如何做到情感与形式的融合,文中指出只有一方面深入生活锤炼绘画语言一方面深入理解当代人文精神,才能做到情感与形式的融合,从而创作出感人至深的艺术作品。
[Abstract]:Ink painting occupies an important position in the field of painting. Chinese high quality ink painting are emotional and artistic works are highly unified, ideal and artistic pursuit of the artist, will continue to explore new forms of expression to convey the inner feelings of the.20 century in 80s, especially since the reform and opening up, foreign culture and art under the impact of China painting in the coexistence of diverse period in the diverse social and cultural context. China painter's thought has undergone profound changes, the performance of real life based artists began in his works pay more attention to the ontology of the spirit of expression, focus on the concept and connotation of the performance of their pay more attention to the living condition and the ideological changes of people in real life, the form of painting from single to diversification, in order to express the needs of some artists to explore the exaggeration and deformation The other, some artists explore the plane, the spatial pattern of non rational, some painter boldly borrowed western color and composition of the principle, some artists turned to the emotional words, mostly from the stylized intention towards diversified and personalized, more penetrating sentiment painters people and the aesthetic qualities of painting itself reflected.
Based on the analysis of contemporary urban ink figure painting of the emotion and form, to better understand the rules and characteristics of contemporary urban ink figure painting, clarify ideas for his painting practice, make oneself in the concern of modern existence state at the same time, feel the psychological demands of modern people, so as to create emotional works. The first part of the article the main reason is its generation of contemporary urban ink portrait painting interpretation, the second part analyzes the factors of contemporary urban ink figure painter wrote here emotion, social change and traditional culture and individual artist temperament, experience on emotion, the third part is the focus of the article, discusses the emotional impact of contemporary urban ink figure painting to explore new forms, and the interpretation of contemporary urban painters has better through the analysis of representative works of contemporary. The emotion and form of ink figure painting, this paper finally discusses the Enlightenment of contemporary urban ink figure painting of my emotion and form of painting creation, the paper points out that emotion and form are inseparable, the need for emotional expression with the form, but no emotional form is of no significance without thinking, how to achieve integration of emotion and form the paper points out that only a deep life exercise hand painting language understanding of contemporary humanistic spirit, can achieve the integration of emotion and form, so as to create emotional works of art.

【学位授予单位】:郑州大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J212

【参考文献】

相关期刊论文 前9条

1 卢攀攀;;试论水墨人物画的当代性演变[J];当代艺术;2010年04期

2 陈爱萍;;从写实主义到表现主义——浅析周思聪水墨人物画的风格演进[J];国画家;2006年03期

3 宫丽慧;;浅谈绘画构图[J];吉林省教育学院学报;2006年03期

4 刘庆和;国画创新与生活体验[J];美术研究;1994年01期

5 邵戈;我在混沌人世间[J];美苑;2001年03期

6 卞小燕;;都市情境下的水墨思考[J];美与时代;2006年05期

7 林木;多点精神 多点思路─—当代水墨人物画断想[J];美苑;2001年03期

8 周颐;;绘画形式与形式美探析[J];艺术研究;2005年04期

9 鲁虹;创造新世纪新人类新中国画——黄一瀚水墨作品意义的评述[J];艺术界;1999年06期



本文编号:1675535

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/1675535.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户26361***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com