陈之佛工笔花鸟画中的“势”语言研究

发布时间：2018-04-04 19:18

本文选题：陈之佛　切入点：工笔花鸟画　出处：《沈阳师范大学》2017年硕士论文

【摘要】：陈之佛的工笔花鸟画,古韵与新风共存,既体现出中国传统工笔花鸟画的气质,又具有当代学者的涵养,是其内在气质的笔墨流露。其工笔花鸟画在含蓄内敛的构图、简约大胆的造型、抑扬顿挫的用笔和秀润温雅的色墨中,彰显出陈之佛独特的审美情态。他践行中国画论中“意在笔先”、“夺造化之妙”、“师古而不泥古”等画学精髓,以造化为师,临古学今。在作品中融合五代工笔花鸟画中的“富贵野逸”元素和宋代花鸟画的折枝意趣。同时吸收清代恽寿平没骨法的水色关系,并运用染色纸协调画面,研究中国画颜色的配比与调和,既总结工笔花鸟画色彩运用的古代经验,也在色彩的表达上吸收水彩画技法,发扬创新了“撞水撞粉法”。他在作品中结合中国传统文气和西方图案科基础,并将其糅进社会背景下的悲凉、坚韧、渴望与欢愉里,渗透在自己的笔质墨韵中,创作出质势具备的生动作品。本文以陈之佛工笔花鸟画中的“势”语言研究为题,分为四部分来具体论述:第一部分详细交代了研究课题的目的、意义、研究现状、研究思路、画论中“势”的概念以及陈之佛工笔花鸟画中所涉及到的“势”语言;第二部分则是陈之佛工笔花鸟画中的“势”语言形成的背景,这一章以陈之佛的艺术人生作为切入点,结合当时的社会风尚、思想取向、历史文化和艺术审美观念等因素,对陈之佛工笔花鸟画的艺术特征进行深入的分析,研究在陈之佛工笔花鸟画创作之路上,社会背景的转变以及文化基础的沉淀在陈之佛工笔花鸟画画面本体语言的形成中所起的作用;第三部分是论文的核心章节,通过四小节来分别阐述。笔者着力分析陈之佛工笔花鸟画的画面语言,对陈之佛工笔花鸟画中的构图、造型、用笔、敷色、情韵等作全面细致的研究,并结合章势、形势、笔势、情势等诸多方面进行分析对比,全面阐释其画面中独特的“势”语言;最后一部分进一步阐释陈之佛工笔花鸟画在养成过程中的经验,其绘画中的“势”语言给当今花鸟画坛带来的启示。
[Abstract]:Chen Zhi-fo 's meticulous flower-and-bird painting, which coexists between ancient rhyme and new style, not only embodies the temperament of Chinese traditional flower-and-bird painting, but also has the conservation of contemporary scholars.His meticulous flower-and-bird paintings show Chen Zhifo's unique aesthetic mood in his implicit composition, simple and bold modeling, stylus and elegant color ink.He practiced the essence of Chinese painting theory, such as "meaning before writing", "seizing the beauty of creation", "division of ancient times but not mud of ancient times" and so on.In the works, it combines the elements of "Flower and Bird painting" in the fine brushwork of the five dynasties and the folklore interest of the Flower and Bird paintings in the Song Dynasty.At the same time, it absorbs the water color relationship of Yun Shuping's boneless method in the Qing Dynasty, and studies the matching and blending of Chinese painting colors by using dyed paper to coordinate the picture, which not only sums up the ancient experience of the use of fine brushwork flower and bird painting colors, but also absorbs the watercolor painting techniques on the expression of color.Carried forward and innovated the "impact of water and powder impact method."In his works, he combines Chinese traditional style and the foundation of western design, and mixes it into the sadness, tenacity, desire and joy in the social background, and permeates his pen, ink and rhyme, and creates vivid works with quality and potential.This paper is divided into four parts on the topic of "potential" language research in Chen Zhi-fo 's meticulous flower-and-bird painting. The first part explains the purpose, significance, research status and research ideas of the research topic in detail.The concept of "potential" in painting theory and the "potential" language involved in Chen Zhi-fo 's meticulous flower-and-bird painting; the second part is the background of the formation of "potential" language in Chen Zhi-fo 's meticulous flower-and-bird painting. This chapter takes Chen Zhi-fo 's artistic life as a starting point.Combined with the social fashion, ideological orientation, historical culture and artistic aesthetic concept, this paper deeply analyzes the artistic characteristics of Chen Zhi-fo 's fine brushwork flower-and-bird painting, and studies on the road of Chen Zhi-fo 's meticulous flower-and-bird painting.The change of social background and the sedimentation of cultural basis play a role in the formation of the body language of Chen Zhi-fo 's meticulous flower-and-bird painting; the third part is the core chapter of the thesis, which is explained separately through four sections.The author tries to analyze the picture language of Chen Zhi-fo 's meticulous brushwork of flower-and-bird painting, and makes a comprehensive and meticulous study on the composition, modeling, pen, coloring and rhyme of Chen Zhi-fo 's meticulous brushwork, and combines with the chapter potential, the situation, the style, etc.The situation and many other aspects are analyzed and compared to comprehensively explain the unique "potential" language in his paintings. The last part further explains the experience of Chen Zhi-fo 's meticulous flower-and-bird painting in the process of cultivation.The "potential" language in his paintings has brought enlightenment to the flower-and-bird painting world today.
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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