试论中国当代油画的写意性
发布时间:2018-04-04 22:00
本文选题:中国当代 切入点:写意油画 出处:《浙江师范大学》2013年硕士论文
【摘要】:中国油画写意性的提出已有二十载,经过几代艺术家的不懈追求和探索,在艺术界引起了更多的关注与响应,于此基础之上,写意油画的探索并未停止。 本文将中国当代写意油画现状做为研究内容,从油画写意性的角度,探讨在当代油画中写意的定义,写意性特点。另外,笔者结合自身创作,对写意油画的绘画实践进行了几点思考。本文从以下几个方面分别论述: 第一章:简单说明写意的定义与油画中写和意的关系。 第二章:分述了西方油画对中国当代油画写意性发展的影响,其一、西方早期油画大师格列柯、哈尔斯对中国当代写意油画的启示;其二、西方现代绘画美学思想对中国当代写意油画的直接影响。 第三章:分述了中国传统绘画对当代写意油画具有潜移默化的作用,其一、哲学思想的返璞归真;其二、中国传统艺术的空间表现形式对当代写意油画的影响;其三、人文品格与写意精神。 第四章:重点论述了中国当代写意油画的表达方式,其中包括了色彩表达思想情绪;笔触传达艺术气度;形象表现画家态度;视角影响空间构成。 第五章:总结性提出了笔者在绘画过程中发现的几个问题,同时,也是对油画写意性创作的思考,希望能够引起大家的共鸣。 写意油画的发展对有志从事写意性油画创作的艺术工作者而言,任重而道远。本文无意对中国当代油画写意性做总结性陈述,意在抛砖引玉,希望通过笔者的一点思考,一份努力,能引起更多的艺术家投入到当代油画写意性的探索当中。
[Abstract]:Chinese oil painting freehand brushwork has been put forward for 20 years, after several generations of artists' unremitting pursuit and exploration, it has aroused more attention and response in the art world. On this basis, the exploration of freehand brushwork has not stopped.This paper discusses the definition and characteristics of freehand brushwork in contemporary oil painting from the angle of oil painting freehand brushwork.In addition, the author combined with his own creation, the painting practice of freehand brushwork has carried on several considerations.This paper discusses the following aspects:Chapter one: briefly explain the relationship between the definition of freehand brushwork and the writing and meaning in oil painting.The second chapter: the influence of western oil painting on the development of Chinese contemporary oil painting freehand brushwork. First, the inspiration of Greco and Hals to the Chinese contemporary freehand brushwork painting; the second, the influence of western oil painting on the development of Chinese contemporary oil painting freehand brushwork.The direct influence of western modern painting aesthetic thought on Chinese contemporary freehand brushwork painting.The third chapter describes the influence of Chinese traditional painting on contemporary freehand brushwork painting. First, the return of philosophy to nature; second, the influence of the space form of Chinese traditional art on contemporary freehand brushwork painting; third,Humanistic character and freehand brushwork spirit.The fourth chapter focuses on the expression of Chinese contemporary freehand brushwork, including the color expression of thoughts and emotions; the artistic tone of brushwork communication; the image of the artist's attitude; the perspective of space composition.The fifth chapter: summing up the author in the process of painting found several problems, at the same time, it is also a reflection on oil painting freehand brushwork, hoping to arouse the resonance of everyone.The development of freehand brushwork has a long way to go for the artists who are interested in the creation of freehand brushwork.This article does not intend to make the summary statement to the Chinese contemporary oil painting freehand brushwork, is intended to throw the brick to draw the jade, hoped through the author's little thought, one effort, can cause more artists to invest in the contemporary oil painting freehand brushwork the exploration.
【学位授予单位】:浙江师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J213
【参考文献】
相关期刊论文 前1条
1 范迪安;;画我所要——戴士和艺术谈片[J];美术大观;2012年11期
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