现代主义油画语言平面性的研究

发布时间：2018-04-07 16:01

本文选题：现代主义　切入点：油画语言　出处：《山东工艺美术学院》2014年硕士论文

【摘要】：十九世纪末二十世纪初，西方绘画发生了革命性的变革，现代主义绘画以一种不同以往的新姿态出现在人们的视野，艺术思维从传统转入现代。随着现代主义绘画态度的转变，，不可避免的是绘画语言的转变，传统绘画中强调透视原理、素描关系和用光影辅助打造三维空间的绘画语言逐渐消解，一种不同以往的平面性绘画语言被选择。随着西方现代主义春风的席卷，西方现代主义绘画的种子开始扎根中国，具有现代主义精神的平面性语言也随之而来。中国现代主义油画艺术深受西方现代主义的影响，在绘画语言上势必借鉴西方平面性的油画语言形式，但中国的现代主义平面性语言不可避免的要经过中国文化的洗礼，只有经过本土化的过程，语言形式和文化精神相融合，才能成为我们自己的艺术语言。本文从四个章节针对现代主义油画语言的平面性特质展开研究，第一章从西方的现代性出发，剖析它的根源，了解来龙去脉，从而清晰的掌握整个油画语言发展的脉络，从中窥探出油画语言转变的原因。第二章对东西方具有平面性特征的现代主义油画语言的具体表现形式做深入的剖析，分别从不同的视角解读油画中的平面性语言。第三章延展出这种现代主义油画语言的平面性特质给当下中国油画带来的启示。第四章探讨平面性油画语言在当代油画创作中的现实意义及存在问题。只有全面综合的对油画语言的平面性进行研究，才能立足本土传统，更好的拓展油画语言的丰富性。
[Abstract]:At the end of the 19th century and the beginning of the 20th century, the western painting had a revolutionary change. Modernism painting appeared in people's field of vision with a new posture different from the past, and the artistic thinking changed from the traditional to the modern.With the change of modernist painting attitude, it is inevitable to change painting language. The traditional painting emphasizes the principle of perspective, sketch relationship and drawing language with the help of light and shadow to create three-dimensional space.A different plane painting language was chosen.With the spring breeze of western modernism sweeping, the seed of western modernism painting began to take root in China, and the plane language with modernism spirit followed.Chinese modernism oil painting art is deeply influenced by western modernism, so it is bound to draw lessons from the western flat oil painting language form in painting language, but the Chinese modernism plane language inevitably has to go through the baptism of Chinese culture.Only through the localization process, the language form and the cultural spirit fusion, can become our own artistic language.The first chapter analyzes the origin of modernism oil painting language from the point of view of the modernity of the West, and understands the origin of it, so as to clearly grasp the development of the whole oil painting language.From the oil painting language to explore the reasons for the change.The second chapter makes a deep analysis of the specific manifestations of modernist oil painting language with the characteristics of the East and the West, respectively from different angles of view to interpret the flat language in oil painting.The third chapter extends this modernism oil painting language plane characteristic brings the enlightenment to the present Chinese oil painting.Chapter four discusses the practical significance and existing problems of plane oil painting language in contemporary oil painting creation.Only by studying the planarity of oil painting language comprehensively and synthetically can we base ourselves on local tradition and expand the richness of oil painting language.
【学位授予单位】：山东工艺美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

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