唐、宋时期“渡水僧”图像探析

发布时间：2018-04-08 15:03

  本文选题：渡水　切入点：渡海观音　出处：《美术观察》2017年12期

【摘要】：正中国古代关于僧人形象的图像表现,东晋时便已出现,张彦远的《历代名画记》中记述东晋画家史道硕曾绘《梵僧图》,此后顾宝光、毛惠秀、张僧繇等均有描绘。而明确表现"渡水僧"的绘画则出现在中唐时期,入宋后发生演变并在南宋时走向衰微。唐、宋时期的"渡水僧"图像并非像传统"渡海天王"或"渡海观音"那样具备较固定的图式特征,而是有其清晰的发展过程和阶段性表现。由于佛教经籍中并没有具体关
[Abstract]:In ancient China, the image of monks appeared in the Eastern Jin Dynasty. In Zhang Yanyuan's Records of famous paintings of the past dynasties, it is recorded that Shi Daoshuo, the painter of the Eastern Jin Dynasty, once painted "the Sanghan Pictures", and since then Gu Baoguang, Mao Huixiu and Zhang Sengyou have all been described.The paintings which clearly showed the "crossing water monk" appeared in the middle Tang Dynasty, evolved after entering the Song Dynasty and declined in the Southern Song Dynasty.The image of "crossing water monk" in Tang and Song dynasties is not as fixed as the traditional "crossing sea king" or "crossing sea Quan Yin", but has its clear development process and stage performance.Because there are no specific customs in the Buddhist scriptures.
【作者单位】： 东南大学艺术学院;
【基金】：中央高校基本科研业务费基金人文社科重大引导项目“10至13世纪汉文化圈罗汉信仰与图像”的阶段性成果,课题编号2242017S10023
【分类号】：J212
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本文编号：1722126