女性油画家意象表现形式比较研究

发布时间：2018-04-09 03:07

本文选题：女性　切入点：意象性　出处：《赣南师范学院》2014年硕士论文

【摘要】：自近代以来，“西学东渐”的背景造就了中国绘画的融合主义思潮，因此意象油画的诞生自然地兼有东、西方传统文化的思想内涵。近些年来意象油画已从概念性的提出上升到理论性研究的层面，它的研究方向基本围绕着民族文化及其传统精神内涵的问题而展开，这也是艺术家在不断深入思考和探索实践的必然产物。目前，对于意象油画的理论性研究又回归到艺术的本体上，即对形式语言特征的客观性分析和梳理。在当前社会环境的影响下，关乎意象油画形式语言的思维逻辑层面仍是研究意象油画及其未来拓展空间的本质性问题。而现当代女性油画家群体在意象油画的形式语言创新上层出不穷，以想象力的丰富性和感性特征使得现当代意象油画更加多样化。因此，本论文重点从女性油画家群体视角深入探讨了意象油画的形式语言构造，以女性油画家的意象表现形式，结合当前社会以及女性的内在心理活动，较客观地分析并阐述了女性与社会环境之间的密切关系，以及“人性”在意象性表现形式中的感性体验；并通过女性油画家群体对审美形式的比较研究，追踪当前女性油画家的艺术表现手法，发掘隐涵于意象表现形式中来自女性的审美意识。本论文立足于分析女性群体对现当代表现艺术形态审视的共性及个性区别，研究现当代女性自身的内在性格特质，从局部到整体地观察个性化中意象性审美创造形式的发展及变化，以便更充分地把握当前意象油画的审美趋势，，同时也对当下时代性创新理念的开拓提供必要的资料分析和素材。
[Abstract]:Since modern times, the background of "Western learning to the east" has created the trend of integration of Chinese painting, so the birth of image oil painting naturally has the ideological connotation of western traditional culture.In recent years, image oil painting has been raised from the concept to the theoretical level, its research direction basically revolves around the national culture and its traditional spiritual connotation.This is also the inevitable outcome of the artist's continuous deep thinking and exploration of practice.At present, the theoretical study of image oil painting returns to the art ontology, that is, the objective analysis and combing of the characteristics of formal language.Under the influence of the current social environment, the logical level of thinking related to the formal language of image oil painting is still the essential issue of studying image painting and its future expansion space.Modern and contemporary female oil painters in the image oil painting in the form of language innovation endlessly, with the richness of imagination and perceptual characteristics of the modern and contemporary image oil painting more diversified.Therefore, this paper focuses on the formal language structure of image oil painting from the perspective of female oil painters, and combines the current society and the inner psychological activities of women with the image expression of female oil painters.This paper analyzes and expounds objectively the close relationship between women and social environment, and the perceptual experience of "human nature" in the form of imagery expression, and makes a comparative study on aesthetic forms by the group of female oil painters.To trace the artistic expression techniques of female oil painters and to explore the aesthetic consciousness of women hidden in the form of image expression.This thesis is based on the analysis of the common character and individuality difference between the female groups and the contemporary art of expression, and studies the inherent character of the modern and contemporary women.Observing the development and change of image aesthetic creation form from part to whole, in order to grasp the aesthetic trend of image oil painting more fully,At the same time, it also provides the necessary data analysis and material for the innovation idea of the present times.
【学位授予单位】：赣南师范学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

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