当前位置:主页 > 文艺论文 > 绘画论文 >

“笼”系列静物画创作研究

发布时间:2018-04-12 12:29

  本文选题: + 静物画 ; 参考:《延边大学》2014年硕士论文


【摘要】:说起静物画,我们都是耳熟能详的,作为一种独立的画种,从表现技法到蕴含寓意方面都有着非比寻常的特性。通过三年的研究生学习,我发现静物画不仅仅是简单的在描述物体本身的特性,更多的是在传达着一种与众不同的寓意的,不同的静物放在不同的环境下会出现难以现象的结果,起初在创作方向的选择我很迷茫,与此同时,那时候我也是第一次感觉到一种莫名的压力,当时还说不出是为什么,随着时间的推移,我越来越明白产生这种感觉的原因何在。 社会在不断发展,竞争也在愈演愈烈,同样作为青年人的我,也是在迷茫与慌乱中不断的寻找自我,时而彷徨,时而明确,正是这种左右逢源的感觉,这种愈演愈烈的感觉促使我选择“笼”系列作为创作的题材。 本次创作主要以竹制鸟笼为主要的创作素材,通过网络、图书、影像等方式搜集创作素材,在此基础上,开始绘制小稿,经过不断的修改,反复的实践,最终确定绘画内容,在完成准备工作后,采用古典写实技法,结合了现代表现主义形式,完成了本次创作。 本论文以静物油画为研究线索,第一章是我选择静物画作为创作题材的原因及创作的内容和目的。第二章是对我创作作品过程的概述,包括搜集素材、技法运用、色彩运用。第三部分是对该系列作品的分析。第四部分总结了我在创作中对形式语言的再认识。
[Abstract]:Speaking of still life painting, we are familiar, as an independent painting, from the performance techniques to the implication of moral aspects have extraordinary characteristics.After three years of graduate study, I found that still life painting is not just a simple description of the characteristics of the object itself, but also conveys a different moral.Different still life in different environment can appear difficult phenomenon result. At first, I was confused about the choice of creative direction. At the same time, at that time, I also felt a kind of inexplicable pressure for the first time. At that time, I could not say why.As time went on, I became more and more aware of the reasons for this feeling.The society is constantly developing and the competition is also becoming more and more intense. As a young man, I am also constantly looking for myself in confusion and confusion, sometimes hesitating and sometimes clear. It is precisely this feeling of connecting the left and the right.This increasingly intense feeling prompted me to choose the Cage Series as the subject matter of my creation.This creation mainly takes the bamboo birdcage as the main creative material, collects the creative material through the network, the books, the image and so on. On this basis, it begins to draw small manuscripts, after constant modification and repeated practice, it finally determines the painting content.After the completion of the preparation, the use of classical realistic techniques, combined with modern expressionism, completed the creation.This thesis takes still life oil painting as the research clue. The first chapter is the reason why I choose still life painting as the subject matter and the content and purpose of my creation.The second chapter is an overview of my creative process, including the collection of materials, the use of techniques, color use.The third part is the analysis of the series.The fourth part summarizes my re-understanding of formal language in the creation.
【学位授予单位】:延边大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J205

【参考文献】

相关期刊论文 前4条

1 梁强;;揭示大自然的藏匿——静物画的再认识[J];长治学院学报;2006年03期

2 陈又林;;浅析塞尚的静物画[J];艺术教育;2007年12期

3 蔡伟;李觉辉;;17世纪荷兰绘画艺术的大众审美特征研究[J];艺术与设计(理论);2007年01期

4 林果;现实与精神的境界——谈静物方式在当代架上绘画中的体现[J];玉溪师范学院学报;2001年06期



本文编号:1739768

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/1739768.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户0ab8f***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com