色彩的主观情感表现特征在油画创作中的运用
发布时间:2018-04-12 13:29
本文选题:主观情感 + 油画创作 ; 参考:《吉林艺术学院》2013年硕士论文
【摘要】:色彩是一种终极艺术,它现在是,将来也仍会是一个持久的谜。为了充分利用各种有色光和彩色颜料,我们长期以来一直在寻找一个理论框架,来帮助自己理解色彩的多样性。没有任何一位艺术家能用单一的色彩模式进行创作。 油画创作中,色彩是创作中最响亮的语言,色彩不仅能给人的印象迅速,而且有使人增加识别记忆的作用,可以说是油画的灵魂,,是油画艺术的精髓所在。同时它还是最富情感的表达要素之一,因为色彩才使油画艺术具有了生命,可因人的情感状态产生多重个性。我们在现代油画创作中不能完全套用西方的审美模式的标准,不能对我国文化艺术中的长处和缺点视而不见,更要从我国传统文化艺术中找寻具有现代因素的路径。更要以崭新的视角去挖掘和发现油画的主观色彩语言,用自身的思维模式,表现方法和生活方式去创作形成属于自己的独特的主观色彩体系。
[Abstract]:Color is the ultimate art, it is and will remain a lasting mystery.In order to make full use of colored light and color pigments, we have long been looking for a theoretical framework to help us understand the diversity of colors.No artist can create in a single color pattern.In oil painting, color is the loudest language in creation. Color not only can give people an impression quickly, but also has the function of increasing recognition and memory. It can be said to be the soul of oil painting and the essence of oil painting art.At the same time, it is also one of the most emotional elements of expression, because color makes oil painting art has life, can produce multiple personality because of the emotional state of people.In modern oil painting, we can not completely apply the western aesthetic model standard, can not ignore the strengths and weaknesses of Chinese culture and art, but also look for the path with modern factors from the traditional culture and art of our country.Moreover, it is necessary to explore and discover the subjective color language of oil painting from a new angle of view, and to create a unique subjective color system of its own with its own mode of thinking, methods of expression and way of life.
【学位授予单位】:吉林艺术学院
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J213
【参考文献】
相关期刊论文 前7条
1 李艳霞;;色彩和情感在油画创作中的重要性[J];大众文艺;2010年04期
2 孙宝林;油画色调与情调散议[J];淮阴师专学报;1997年03期
3 张红Z
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