等待的色彩——记广西贺州黄姚采风行

发布时间：2018-04-12 15:53

  本文选题：广西贺州 + 黄姚　； 参考：《美术》2017年02期

【摘要】：正一、缘起照相机与印刷技术的广泛应用,极大地方便了画家关于素材的收集和形象的参考,那么,艺术采风中的写生是否还有必要?答案当然是肯定的。在绘画实践和教学中,学生在写生和创作时过于依赖照片,将会面临迷失自我的危机,也会流失了艺术的实质精神和魅力。照片的捕捉可以记录生活中的即时瞬间,而绘画则须反复观摩与研究对象的形态、运动的规律、色彩的性质、光线的强弱变化等,在这个角度上,两者是不同的。大多数的艺术家通过长期的艺术实践和艺术交流,深刻地认识到,对照片的依赖将导致其作品无论是外在的表现形式,抑或是内在的精神意
[Abstract]:First, because of the wide application of camera and printing technology, it greatly facilitates the collection of materials and the image of the reference. So, is it necessary to draw sketches in the style of art?The answer, of course, is yes.In painting practice and teaching, students rely too much on photos in painting and creation, will face the crisis of losing themselves, and will lose the essence and charm of art.The capture of photographs can record instant moments in life, while painting has to repeatedly observe the shape of the object of study, the law of motion, the nature of the color, the change of the intensity of light, and so on. In this angle, the two are different.Through long-term artistic practice and artistic exchange, most artists have come to realize that reliance on photographs will lead to their works, both in their external forms of expression and in their inner spirituality.
【作者单位】： 广东财经大学艺术学院;
【分类号】：J213
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本文编号：1740401