再析笔墨的抽象性

发布时间：2018-04-13 00:07

本文选题：沃林格 + 表层意义　；参考：《美术观察》2017年02期

【摘要】：正《辞海》中对"抽象"的释义有两层:一、同具体相对,指事物某一方面的本质规定在思维中的反映;二、指思维活动的一种特性,即在思想中抽取事物的本质属性,撇开非本质属性。可以认为,抽象总是同具体相对应,它表现对象的本质意义、普遍性,而非个别事物的表层意义。在视觉艺术中,"抽象"又是如何呈现的呢?抽象艺术诞生于20世纪初的西方社会,成为西方艺术流派的主导,其中各家各派关于"抽象"的理论侧重点各有所不同,代表性的有沃林格、阿恩海姆、苏珊·朗格、康定斯基、蒙德里安、克利、哈罗德·奥斯本等。沃林格从心理学角度出发,认为抽象是对空间、具象的抑制,以结晶质的几何线形
[Abstract]:There are two levels of interpretation of "abstraction" in the positive ci Hai: first, it refers to the reflection of the essence of something in the thinking as opposed to concrete; second, it refers to a characteristic of thinking activity, that is, extracting the essential attributes of things from the mind.Set aside non-essential attributes.It can be considered that abstraction always corresponds to concrete, it expresses the essential meaning of object, universality, but not the surface meaning of individual thing.How does abstraction appear in visual art?Abstract art was born in the early 20th century in the western society, and became the dominant school of western art, in which various schools of theory on "abstract" have different emphases, such as Wallinger, Arnheim, Suzanne Langge, the representative of which are Walinger, Arnheim, Suzanne Langge.Kandinsky, Mondrian, Kli, Harold Osborne and so on.From the point of view of psychology, Wallinger thinks that abstraction is the suppression of space and concrete, and the geometric line of crystalline substance.
【作者单位】：广州美术学院;
【基金】：广州美术学院科研项目成果
【分类号】：J212

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