当代中国女性水彩画审美趋向研究

发布时间：2018-04-13 03:35

本文选题：女性水彩画 + 女性视角　；参考：《西安美术学院》2014年硕士论文

【摘要】：本文通过对中国水彩画发展脉络的梳理，来谈女性水彩画家的出现的原因、影响以及在当代所呈现的面貌，进而剖析女性水彩画作品的独特的审美倾向。全文共分为四个部分：第一部分将水彩画发展的时间段划分为三个时间段：二十世纪初期至建国初期、建国初期至七十年代末、八十年代至今。第二部分，，根据大环境的转变对八十年代后女性水彩画现象做详尽分析。根据社会大环境的转变分两方面阐述。其一，社会地位的转变，女性群体开始寻求实现自我价值。其二，社会地位的转变，女性群体接受教育机会与男性均等。第三部分，谈中国当代女性水彩画家的独特审美心理。分两点陈述第一，女性以其自身独特的心理因素对水彩画创作题材的影响。第二，同题材下当代男性水彩画家与女性水彩画家的差异性。第四部分，探寻当代女性水彩存在的问题和对当代女性水彩画发展方向的思考。在这个以男性占据主导地位的社会环境下，女性自身的处境和对传统意义、观念的反思值得我们去关注，我试图探讨女性当代话语权和身份认同问题，并研究在当代社会背景下女性水彩画家如何冲破父权制的话语机制，最终确立一系列具有女性意味的创作风格和揭显女性生命体验的水彩画作品。在文中对女性水彩画发展做出大量阐述，并分析画家对水彩画史的现有贡献，列举了部分中国当代女性水彩画家，并将其代表作品做详细分析。之后将部分同题材的作品与男性水彩画家做对比。对女性性别的分析，心理特征的描述，以及女性自我表述方式的强调做以论证。本文旨在通过陈述分析当今水彩画坛女性水彩画坛女性水彩画创作面貌特征，表达女性水彩画家群体力量不容小觑这一观点。关注女性水彩画的发展和对水彩画史的现有贡献，并提出女性水彩画在审美趋向多元化发展的前提下，所面临的问题和不足之处，明确表达出本人对现阶段这一水彩艺术现象的关切和忧虑。并指出女性水彩画该如何创新和发展。
[Abstract]:By combing the development of Chinese watercolor painting, this paper discusses the reason, influence and appearance of female watercolor painters, and then analyzes the unique aesthetic tendency of female watercolor painting works.The thesis is divided into four parts: the first part divides the time period of watercolor painting development into three periods: from the early 20th century to the early days of the founding of the people's Republic of China, from the early days of the founding of the people's Republic to the end of the seventies, and from theIn the second part, according to the change of the environment, the phenomenon of female watercolor painting after 1980's is analyzed in detail.According to the transformation of the social environment is elaborated in two aspects.First, the transformation of social status, women began to seek to achieve self-worth.Second, the transformation of social status, women and men equal access to education opportunities.The third part discusses the unique aesthetic psychology of contemporary Chinese female watercolor painters.The first is the influence of women's unique psychological factors on the subject matter of watercolor painting.Second, the difference between contemporary male watercolor painters and female watercolor painters under the same theme.The fourth part, explores the contemporary female watercolor existence question and to the contemporary female watercolor painting development direction ponder.In this male-dominated social environment, women's own situation and reflection on the traditional meaning and concept deserve our attention. I try to explore the issue of women's contemporary discourse rights and identity.It also studies how female watercolor painters break through the discourse mechanism of patriarchal system under the background of contemporary society, and finally establish a series of watercolor paintings with feminine meaning and reveal women's life experience.In this paper, the development of female watercolor painting to make a large number of elaboration, and analysis of the painter's existing contributions to the history of watercolor painting, listed some of the contemporary Chinese female watercolor painters, and their representative works to do a detailed analysis.After that, some of the works of the same subject are compared with the male watercolor painters.The analysis of female gender, the description of psychological characteristics, and the emphasis of female self-expression.The purpose of this paper is to express the view that the strength of female watercolor painters should not be underestimated by analyzing the features of female watercolor paintings in the watercolor painting world today.Paying attention to the development of female watercolor painting and its existing contribution to the history of watercolor painting, and putting forward the problems and deficiencies that female watercolor painting faces under the premise of the diversified development of aesthetic appreciation.Express my concern and concern about this watercolor art phenomenon at this stage.And points out how to innovate and develop female watercolor painting.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J215

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