当代水墨人物画色彩拓展及创作谈

发布时间：2018-04-13 12:19

  本文选题：当代水墨人物画 + 色彩　； 参考：《上海师范大学》2017年硕士论文

【摘要】：中国美术的发展史中,“水墨”与“丹青”一直为传统绘画中的两条脉络,由于唐宋之后的文人画的发展,往往使我们忽略了魏晋到隋唐一千多年重彩画的历史,也影响了重彩画理论与实践的研究。其中,尤其是文人画追求“逸笔草草,聊写胸中逸气”的“超逸”境界,使传统国画的色彩运用陷入了长期停滞不前的发展困境。这种抵触色彩表现的文化和观念,使得中国古代绘画对颜色的运用和挖掘受到抑制。至当代,随着社会经济的快速发展和国家的大力扶持,各类文化、艺术产业进入“百花齐放”、“百家争鸣”的美好时代,中国画也由原来独享的行业审美转入了应对普罗大众需求的时代。所以,以“简淡”、“萧瑟”为主基调的文人画因其审美的单一性恐怕无法全面满足社会的相关需求。至此,被摒弃多时的中国画色彩便有了可生存空间。本文首先简要介绍当代水墨人物画中色彩的发展与运用,由色彩的使用风格讲起,通过举例分析当代水墨人物画色彩风格的形成和发展缘由,一是受到中国传统主流绘画的影响,二是中国民间绘画的影响,三是西方绘画的影响;其次结合笔者创作谈水墨人物画中色彩的探索,通过图例分析来讨论色彩的拓展,具体也从三个方面探讨,先谈论创作缘起,涉及到选题的目的和意义;然后再谈创作过程,包括创作当中遇到的问题以及解决问题的思路,先分析画面,再进行深度的思考;最后归纳出创作收获。从而最终得出总结:当代水墨人物画的色彩拓展还有很广阔的空间,只有坚持不懈的尝试,才会有更多的可能,创造出更多丰富多彩,精美绝伦的艺术作品。
[Abstract]:In the history of the development of Chinese art, "ink" and "Danqing" have always been two threads of traditional painting. Due to the development of literati paintings after the Tang and Song dynasties, we often ignore the history of heavy colored paintings from Wei and Jin dynasties to Sui and Tang dynasties for more than a thousand years.It also affects the study of the theory and practice of heavy color painting.Among them, especially the literati painting pursuit of "easy brush grass, talk about the spirit in the chest" "super Yi" realm, traditional Chinese painting color application into a long-term stagnation of development difficulties.This kind of culture and idea of resisting color expression, make Chinese ancient painting to use and excavate to color be restrained.To the present, with the rapid development of social economy and the support of the country, all kinds of cultural and artistic industries have entered a beautiful era of "a hundred flowers blossom" and "a hundred schools of thought contend".Chinese painting from the original exclusive industry aesthetic to meet the needs of the general public era.Therefore, the literati paintings with the basic tone of "simple and light" and "bleak" can not fully meet the needs of the society because of their aesthetic singularity.At this point, has been abandoned for a long time the color of Chinese painting will have a living space.This paper first briefly introduces the development and application of color in contemporary ink figure painting, from the use of color style, through an example to analyze the formation and development of contemporary ink figure painting color style.One is influenced by Chinese traditional mainstream painting, the other is the influence of Chinese folk painting, and the third is the influence of western painting. Secondly, the author discusses the exploration of color in the ink figure painting in combination with the author's creation, and discusses the development of color through legend analysis.It is also discussed from three aspects: the origin of creation, the purpose and significance of the topic, and then the process of creation, including the problems encountered in the creation and the way to solve the problems, the first analysis of the picture, then the deep thinking;Finally, the author concludes the creative harvest.In the end, we can conclude that there is still a broad space for the color expansion of contemporary ink figure painting. Only by persistent attempt, can we have more possibilities and create more colorful and exquisite works of art.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
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本文编号：1744457