论油画写生中的“非对象性”

发布时间：2018-04-14 10:15

本文选题：油画 + 写生　；参考：《湖北美术学院》2017年硕士论文

【摘要】：长期以来,我国的油画写生实践一直深受西方理性主义二元论思维模式的影响,使得油画写生这一重要的艺术实践行为逐渐演变成对象化、概念化、简单化、机械化的对象描摹。本文就这一现象深入探索,通过对油画以及油画写生在中国的产生、发展以及这一过程中西方哲学的影响来探究这一艺术观念的形成及其缺陷,在此基础上,综述了近年来国内外非理性主义、现象学等一系列哲学思想,结合中国传统哲学“天人合一”“一生万物,万物归一”等主客体统一的辩证思想提出绘画过程中“非现象性”这一概念。指出以主客观相统一的“非现象性”认识复杂多变的世界,以非理性应对非理性,才能达到艺术世界与现实世界的一致。并且从工具、“应手性”、去“主体”三个方面阐述了油画写生实践中“非对象性”包含的具体内容以及实现主客观统一的具体途径。
[Abstract]:For a long time, the oil painting practice in our country has been deeply influenced by the western rationalism dualism thinking mode, which makes the important art practice of oil painting become objectified, conceptualized and simplified.The object of mechanization.This paper explores the formation of this artistic concept and its defects through the emergence, development and influence of western philosophy in the process of oil painting and oil painting in China.This paper summarizes a series of philosophical thoughts, such as irrationalism, phenomenology and so on at home and abroad in recent years, combining with the Chinese traditional philosophy of "the unity of nature and man" and "all things in one's life".The dialectical thought of unity of subject and object puts forward the concept of "non-phenomenal" in painting process.It is pointed out that to understand the complex and changeable world with the unity of subjective and objective "non-phenomenological", and to deal with irrationality with irrationality, can achieve the consistency between the artistic world and the real world.And from the tools, "should hand", to "the subject" three aspects elaborated the oil painting sketch practice "the non-object nature" to contain the concrete content as well as realizes the subjective and objective unification concrete way.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213

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