现代青绿山水画的继承与发展研究

发布时间：2018-04-14 10:32

本文选题：青绿山水画 + 水墨山水画　；参考：《陕西师范大学》2014年硕士论文

【摘要】：中国传统青绿山水画历史悠久,魏晋南北朝时期,作为人物画背景出现的山水画带有色彩的痕迹。隋代展子虔为青绿山水画的始祖,唐代李思训、李昭道把青绿山水画进一步充实、发展、完善。宋代在隋唐绘画的基础上得到了进一步发展。到了元代,笔墨冲淡的文人画渐渐占据主流地位,青绿山水画由主流中心地位退却到支流边缘位置,但青绿山水画仍旧缓慢发展在画坛中。到了明清两代,从事青绿山水画的画家屈指可数,明代的仇英、清代的袁江、袁耀以及“四王”都能作青绿山水画,把青绿山水画继承下来。近现代,张大千、何海霞、林风眠、刘海粟、谢稚柳、吴湖帆等画家在继承传统青绿山水画的基础上进行了创新。张大千依靠坚实而浑厚的传统修养,首创了泼墨泼彩画,以多层次、大块面的强烈视觉效果,创建了一种清新放逸、色彩斑斓的艺术风貌,打破了传统青绿山水画勾勒填染的敷色程式,这是对发展中国画可贵的探索。何海霞师承张大千,大青绿、小青绿、金碧、泼墨泼彩高度娴熟地融为一体,作金碧山水,金碧辉煌,意境幽远,完成了重彩与写意的结合,体现了鲜明的时代感,符合现代人的审美理想。林风眠改进中国画的材料和工具,甚至纯用色彩作中国画,为现代青绿山水画提供了新的思路。刘海粟作泼墨泼彩画体现了鲜明的个性和精神气质,其泼墨泼彩呈现出泼辣、雄健的意境。谢稚柳吸取落墨法精华,创立了“落墨青绿山水画”。吴湖帆实现了水墨和青绿的和谐完美统一,形成了水墨烘染与青绿设色熔铸于体的山水画,作品充分借助色彩的语言特点,全面激发对色彩的感觉和情感,拓展色彩的表现力,表现出清新雅丽、色墨交融的艺术境界。在这些画家的努力下,青绿山水画继续存在并发扬光大。本论文对青绿山水画从古代到现代的发展做了概述,对现代青绿山水画创作的理念及内涵作了总结,着重分析了现代青绿山水画在章法、造型、笔墨、色彩、意境上的审美特征。在章法上,现代青绿山水画家不再对客观景物进行重复罗列,而是带有思想性的构思,把画家的情感和精神赋予画面中,使画面产生一种独特的意境。在造型上,为了突出画面的视觉效果,画家借鉴西方绘画的色块表现,把画面分成大的几何形体,使画面具有很强的视觉冲击力和震撼力,气势宏大,形成一种新的造型观念。现代青绿山水画的笔墨随着时代也发生了很大变化,笔墨突破了传统表现的局限,笔墨和色彩紧密结合,墨中有色,色中有墨,以色助墨光,以墨助色彩,用笔更加灵活生动,有着强烈的运动感,笔和墨的运用把画家的感受和创作激情表现的淋漓尽致。现代青绿山水画中,水墨和色彩互相促进,设色更为灵活生动,融合了“泼墨”“积墨”“积色”“破色”等多种技法,色彩的运用结合意境的创造,注重色彩的表现价值,强调色彩的意象性、装饰性、符号性、象征性和表达性。现代画家泼墨泼彩法的表现,使画面产生朦胧感和神秘感,生成空幻迷离的奇妙意境。现代青绿山水画具有存在的现实意义和艺术价值,当代青绿山水画家进一步继承和发展了现代青绿山水画,青绿山水画应顺应时代潮流,继续发扬光大,焕发其特有的魅力。
[Abstract]:China traditional landscape painting has a long history, northern and Southern Dynasties, appears as a background figure painting landscape painting with color marks. The Sui Dynasty Chan tzu-ch'ien as the ancestor of the green landscape painting of the Tang Dynasty Li Sixun, Li Zhaodao to further enrich the green landscape painting, development, perfect. The Song Dynasty in Sui and Tang Dynasties painting has been further development. The Yuan Dynasty, literati painting gradually dilute the mainstream green landscape painting by the mainstream center to retreat tributary edge, but the blue and green landscape painting development is slow. In the Ming and Qing Dynasties two generations, in the green landscape painting painter numbered, Qiu Ying of the Ming Dynasty, the Qing Dynasty Yuan Jiang, Yuan Yao and the "Four Wangs" can make the green landscape painting, the inheritance of the green landscape painting. In modern times, Zhang Daqian, He Haixia, Lin Fengmian, Liu Haisu, Xie Zhiliu, painting in the tradition of the green mountain Wu Hufan Water based painting on innovation. Zhang Daqian rely on solid and rich traditional culture, pioneered the splashed ink painting, multi-level, large surface strong visual effect, create a fresh heedlessness, colorful art style, breaking the traditional landscape painting sketch dye coloration program, this is on explore the development of Chinese draw valuable. He Haixia is a disciple of Zhang Daqian, blue green, green green, green, ink splash of color highly skillfully blend, as golden landscape, beautiful decoration, distant mood, complete with color and brushwork, embodies the distinctive sense of the times, in line with the modern aesthetic ideal. Lin Fengmian improved materials and the tool Chinese painting, even with pure color as Chinese painting, provides a new idea for the modern landscape painting. Liu Haisu splashed ink painting embodies the distinctive personality and temperament, the ink splash of color showing a vigorous, With the artistic conception. Xie Zhiliu absorb road method essence, the creation of a "road green landscape painting". Hufan Wu realized perfect harmony and unity of the green ink, ink form and bake with green colors cast in the landscape painting language features full use of color works, fully stimulate the sense of color and emotion, expand the expressive force of color, showing bright and elegant blend of color and ink art realm. In the painter's efforts, continue to exist and carry forward the green landscape painting.
In this paper, the green landscape painting from ancient to modern development is summarized, the concept and connotation of modern landscape painting creation is summarized, analyzed the modern landscape painting in the art of composition, shape, color, painting, the aesthetic characteristics of artistic conception. In art, modern landscape painters no longer repeat lists the objective scenery, but with the thought of the idea of the painter's emotion and spirit to the screen, so that the screen has a unique artistic conception. In the modeling, in order to highlight the visual effect of the screen, the painter from the western painting color performance, the screen is divided into geometric large, so that the screen has a very strong vision impact and power, the mighty, the formation of a new idea. The modern green landscape paintings with the times have changed a lot, and break through the traditional performance limitations, ink and color. Secret combination, ink color, ink color, ink color to help light ink to help color pen, more flexible and vivid, with a strong sense of movement, the use of pen and ink to the painter's feelings and creative passion. The most incisive performance of modern green landscape painting, ink color and promote each other, more colors flexible and vivid, the fusion of the "splash ink" "ink" "product color" and "breaking the color" and other techniques, the use of color with the creation of artistic conception, pay attention to the performance of color image, color value, emphasizing the decorative, symbolic, and symbolic expression. Modern painter ink splash of color method performance, makes the picture hazy and mysterious, wonderful artistic conception a blurred. Modern landscape painting has practical significance and artistic value, contemporary green landscape painter further inheritance and development of modern landscape painting, landscape painting should comply with the time The tide, continue to flourish, radiate its unique charm.

【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【参考文献】