中国当代意象油画风景的表现风格及审美内涵研究
发布时间:2018-04-14 12:05
本文选题:意象油画 + 油画风景 ; 参考:《安徽师范大学》2017年硕士论文
【摘要】:中国当代意象油画风景产生于西方油画艺术和传统文化交融的背景中,代表了当代中国油画发展的另一个空间,是当代油画家的文化自觉,亦体现了中国古典文化的诗性特质。本文第一章从传统与现代,东方与西方两个纬度,探析了意象风景油画的概念,并在此基础上探讨传统文化和西方风景油画对当代意象油画风景产生的影响。第二章研究了当代意象油画风景的表现风格,分析形成表现风格的四个因素,研究意象油画风景语言和形式,并以相应的画家为例进一步分析其表现风格,力求构建意象油画的本土语言体系。第三章从审美内部结构和审美艺术表达两个方面进分析归纳了当代意象油画风景的审美内涵,并以大量的画家作品实例来加以论证。第四章为本课题的理论延伸,从时间纵轴上探求意象油画民族风格的形成和在当代语境下的发展。阐述了意象油画对油画本土化发展的贡献。中国油画在发展过程中,力求确立自己独特的表现风格和审美样式。意象包含了人与自然、人与世界的融合,是传统艺术的重要特征之一,并被中国油画家植入到自己的油画风景创作中,使之形成了具有鲜明民族风格和文化观照的民族油画语言,体现了独特的文化精神和诗性内涵。
[Abstract]:The Chinese contemporary image oil painting scenery arises from the western oil painting art and the traditional culture blend background, represents the contemporary Chinese oil painting development another space, is the contemporary oil painter's cultural consciousness, also has manifested the Chinese classical culture poetic characteristic.The first chapter analyzes the concept of imagery landscape oil painting from the two latitudes of tradition and modern, east and west, and discusses the influence of traditional culture and western landscape oil painting on contemporary image oil painting landscape.The second chapter studies the expression style of contemporary image oil painting landscape, analyzes the four factors forming the expression style, studies the language and form of image oil painting landscape, and takes the corresponding painter as an example to further analyze its performance style.Try to construct the native language system of image oil painting.The third chapter analyzes the aesthetic connotation of contemporary image oil painting landscape from two aspects of aesthetic internal structure and aesthetic art expression, and demonstrates it with a large number of examples of painter's works.The fourth chapter is the theoretical extension of this topic, from the longitudinal axis of time to explore the formation of image oil painting national style and the development in the contemporary context.This paper expounds the contribution of image oil painting to the development of localization of oil painting.Chinese oil painting in the development process, strive to establish their own unique performance style and aesthetic style.Image, which includes the fusion of man and nature, man and the world, is one of the important characteristics of traditional art, and has been implanted into the oil painting landscape creation by Chinese oil painters.It forms the national oil painting language with distinct national style and cultural reflection, and embodies the unique cultural spirit and poetic connotation.
【学位授予单位】:安徽师范大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J213
【参考文献】
相关期刊论文 前7条
1 万新华;徐小虎;;“我站在画布前:苏天赐的艺术世界”巡礼——学术座谈会发言纪要[J];艺术品;2016年12期
2 孙纲;;绘画语言的探索[J];中国油画;2015年05期
3 水天中;;朱乃正——诗人气质的画家——谨以此文悼念朱乃正先生[J];中国油画;2013年05期
4 尚辉;;本土意蕴 当代中国油画的审美价值[J];中国油画;2008年04期
5 苏天赐;;我站在画布面前[J];中国油画;2007年01期
6 尚辉;意象油画百年[J];美术;2005年06期
7 董希文;从中国绘画的表现方法谈到油画中国风[J];美术;2003年07期
,本文编号:1749217
本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/1749217.html