关于水彩画中肌理的研究

发布时间：2018-04-15 06:20

本文选题：水彩画 + 肌理　；参考：《湖北美术学院》2016年硕士论文

【摘要】：从水彩画的在艺术领域的普遍传播到现在的这一个多世纪以来,肌理作为一种代表性的艺术语言形式一直是艺术家们不断探索的一种手段,伴随着艺术的手段,肌理的表现形式、方法、过程都有不同阶段的完善过程。而正是凭借着艺术家不断的摸索的创新,肌理的表现形式才会从单纯技术滞锢中游离出,并被艺术家用来表现自己的情感和绘画的主旨思想,且具有艺术感染力,被大众广泛认同。所以,肌理在水彩画的创作中担任着至关重要的角色。若没有正确的使用肌理效果则有可能导致创作的失败。那么,艺术家如何才能让肌理的表现成为一种增加画面魅力的手段?这便是本文主要的研究内容,本文在立足于现状分析的基础上,结合自己的三年的研究感受,通过对具体作品的分析进一步对肌理的表现形式进行探究。
[Abstract]:From the widespread spread of watercolor painting in the field of art to the present more than a century, texture as a representative form of art language has been a means for artists to explore, accompanied by the means of art.The manifestation, method and process of texture have different stages of perfection.And it is with the artist's constant groping innovation that the expression form of texture will be dissociated from the mere technical imprison, and used by the artist to express his emotion and the main idea of painting, and it has artistic appeal.Widely accepted by the public.Therefore, texture plays a vital role in the creation of watercolor paintings.Failure to use texture properly can lead to creative failure.So, how can the artist let the texture of the performance become a means to increase the charm of the picture?This is the main content of this paper, based on the analysis of the current situation, combined with their own three years of research experience, through the analysis of specific works to further explore the form of expression of texture.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J215

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