都市题材水墨画的美学特征及其现代情境研究

发布时间：2018-04-18 22:00

本文选题：现代性 + 都市水墨　；参考：《云南大学》2014年硕士论文

【摘要】：20世纪90年代应运而生的都市题材水墨画在近十年的发展过程中面临着诸多挑战和问题,如果说现代性成为当今水墨画家遵循的唯一理念,那么社会文化语境影响下都市题材水墨画家势必将艺术视野转向生活领域,进而将水墨意境的表达扩展到生命体验的外化,美学意义上的存在主义与现实主义等特征在都市题材水墨画中逐渐凸显出来。随着时代的不断发展,特定历史境遇对水墨艺术的冲击很大,都市题材水墨画是一定情境下的产物,如果说艺术作品的审美功能能够在情境属性的作用下发生变化,那么从现代情境的角度来把握都市题材水墨画美学特征,则是本课题研究的重点所在。本课题包括绪论、正文四章、结论共六个部分。本课题主要是以中西方美学理论作为影响都市题材水墨画美学特征的依据,从都市题材水墨画的背景与发展入手,结合现代情境的诸多因素来探讨艺术家、艺术作品、作品内涵之间的关系即人、物与境之间的关系,为了使读者对现代情境的理解更加清晰,本文通过对比情境和意境的关系及都市题材水墨画的表达方式来体现其美学意蕴,即在认知都市题材水墨画现代情境的过程中,使读者取得理性与感性、主体与客体冲突之间美的平衡。本课题对都市题材水墨作品进行实例分析,抓住情境因素对都市人的心理影响,构建水墨艺术作品审美话题的讨论；都市文化映像下的精神隐喻在画家李孝萱、邹建平和邵戈等人的作品中有所诠释。一定程度上,水墨语言的实验性为都市题材水墨画注入活力,使原本真实的原生态观察上升至存在主义的哲学思辨。无论是绘画美学还是城市美学、无论是中国美学还是西方美学,都脱离不了向审美层次的提纯和超越。中西融合下的艺术思潮将城市化的语言纯化到打破传统笔墨的美感上来,以都市“物”为基点为我们创造了一种情境,即在对自然、对社会的焦虑中进行内省。这对于我们深入理解现当代都市水墨艺术的内涵、反思美学问题有着积极的现实意义。
[Abstract]:In the recent ten years, urban ink painting, which came into being in the 1990s, is faced with many challenges and problems. If modernity is the only idea followed by contemporary ink and wash painters,Then under the influence of the social and cultural context, the urban waterwash painters are bound to turn their artistic horizons to the field of life, and then extend the expression of the artistic conception of ink and water to the externalization of the life experience.The aesthetic features of existentialism and realism are gradually highlighted in urban ink painting.With the continuous development of the times, the impact of specific historical circumstances on ink and wash art is very great. Urban ink painting is the product of a certain situation. If it is said that the aesthetic function of art works can change under the action of situational attributes,So from the perspective of modern situation to grasp the aesthetic characteristics of urban ink painting is the focus of this research.This topic includes six parts: introduction, four chapters and conclusion.This subject is mainly based on Chinese and Western aesthetic theory to influence the aesthetic characteristics of urban theme ink painting, starting with the background and development of urban theme ink painting, combined with many factors of modern situation to explore artists, art works,In order to make the readers understand the modern situation more clearly, this paper shows its aesthetic implication by comparing the relationship between the situation and the artistic conception and the expression way of the urban subject wash painting, in order to make the readers understand the modern situation more clearly, the relationship between the connotation of the works is the relationship between the people, the object and the environment.That is, in the process of recognizing the modern situation of urban ink painting, the reader can achieve the balance of beauty between rationality and sensibility and the conflict between subject and object.In this paper, the author analyzes the case study of urban ink painting works, grasping the psychological influence of situational factors on urban people, and constructing the discussion on aesthetic topic of ink and wash art works, the spiritual metaphor of urban culture image in the painter Li Xiaoxuan,Zou Jianping, Shao GE and others in their works have interpretation.To a certain extent, the experiment of ink and wash language infuses vitality into urban subject ink painting, which makes the original ecological observation rise to existentialism philosophical speculation.No matter painting aesthetics or urban aesthetics, whether Chinese aesthetics or western aesthetics, can not be separated from the aesthetic level of purification and transcendence.The artistic trend of thought under the combination of Chinese and Western has purified the language of urbanization to break the aesthetic feeling of traditional pen and ink, and has created a kind of situation for us based on the urban "thing", that is, introspection in the anxiety of nature and society.This has positive practical significance for us to deeply understand the connotation of modern and contemporary urban ink painting art and to reflect on aesthetic issues.
【学位授予单位】：云南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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