试论当代中国新具象绘画的精神取向

发布时间：2018-04-18 22:39

本文选题：当代 + 新具象　；参考：《浙江师范大学》2013年硕士论文

【摘要】：人类诞生之初,就需要用各种方式来传递信息,进行交流。正是人类在彼此的相互交往中,绘画以自己独特的形式语言反映出先民的精神诉求。史前西班牙阿尔塔米拉洞窟中充满蓬勃生命力的野牛岩画,就是我们祖先用绘画来传递对劳动、自然及观念意识的载体,寄予了原始人的精神信念。无论是在原始社会还是在信息飞速发展的今天,作为视觉艺术的绘画都显示出它生动、直观、交流无障碍的优越性。尽管绘画要借助一定的载体并使用一定的工具才能实现,但最终的精神表现与形式追求才是绘画作为艺术存在的最终目的。对画家来说,通过画面来传递作者独特的艺术见解与对形式语言不懈的探究,始终是艺术家思索的重要命题。早期的西方绘画在传统哲学的影响下,强调绘画要模仿和反映客观世界,真实的再现自然。随着社会文化的不断发展,各个地域出现了不同的绘画风貌,到了19世纪末,西方现代美学与绘画对传统观念提出了挑战,他们认为绘画是一种情感的表现、一种艺术创造,而不再是单纯的再现与模仿。但是现代主义完全抛弃了绘画的“形”,单纯追求样式化,直至上一世纪末西方后现代的绘画观念才使绘画又重新回归具象,回到架上。而我国的新具象绘画也是在西方后现代语境的影响下,揉合了本土文化传统的一种艺术探索,艺术家更加关注人的精神世界,关注社会、民生。从某种意义上讲新具象绘画是对传统具象绘画的一种继承与发展,改革开放以来,中国的油画艺术面貌发生了深刻的改变,艺术家从不同的方面探索油画的艺术表现力。具象绘画在多元格局中重新焕发出光彩,从描绘崇高、神圣的场景和塑造英雄人物走向描写平凡生活与普通大众,从理想化走向直面现实与人生。社会飞速发展中出现的新问题、急剧变革中弱势群体与人民大众的生存现状,引起了艺术家的思考。一些有责任感与使命感的艺术家用画笔创作了一些具有现实主义精神的作品。本文希望通过对新具象绘画的分析,阐释在当下现实生活中蕴含的精神取向及西方现代后现代的艺术思潮对中国具象绘画的影响,通过具体的画家作品分析当代中国新具象绘画中体现出来的艺术精神。
[Abstract]:When human beings were born, they needed to communicate with each other in a variety of ways.It is in the mutual contact of human beings that painting reflects the spiritual demands of the ancestors in their own unique formal language.The bison rock painting, which is full of vigorous vitality in Arta Mira grotto in Spain, is the carrier of labor, nature and concept consciousness that our ancestors used to convey the spiritual belief of primitive people.Whether in the primitive society or in the rapid development of information today, as a visual art painting has shown its vivid, intuitive, communication and accessibility advantages.Although painting can only be realized by certain carriers and tools, but the ultimate spiritual expression and the pursuit of form is the ultimate purpose of painting as an art existence.For painters, it is always an important proposition for artists to pass on their unique artistic views and unremitting inquiry into formal language.Under the influence of traditional philosophy, early western painting emphasized that painting should imitate and reflect the objective world and reproduce nature.With the continuous development of social culture, different painting styles appeared in various regions. By the end of the 19th century, modern western aesthetics and painting challenged traditional concepts. They thought painting was an expression of emotion and an artistic creation.It is no longer a mere reproduction and imitation.However, modernism completely abandoned the "form" of painting and simply pursued stylization. It was not until the end of the last century that the concept of post-modern painting in the West made painting return to concrete again and return to the frame.The new figurative painting of our country is also under the influence of the western post-modern context, a kind of artistic exploration that combines the native culture tradition, the artist pays more attention to the human spirit world, the society, the people's livelihood.In a sense, new figurative painting is an inheritance and development of traditional figurative painting. Since the reform and opening up, Chinese oil painting has undergone profound changes, and artists have explored the artistic expression of oil painting from different aspects.Figurative painting rekindled its luster in the pluralistic pattern, from depicting lofty and sacred scenes and portraying heroic characters to describing ordinary life and ordinary people, from idealization to facing reality and life.The new problems in the rapid development of the society and the existence of the vulnerable groups and the masses in the rapid transformation have aroused the artists' thinking.Some artists with sense of responsibility and mission have created some realistic works with brushes.Through the analysis of the new figurative painting, this paper tries to explain the spiritual orientation contained in the present real life and the influence of the western modern and postmodern artistic trend on the Chinese figurative painting.The artistic spirit embodied in contemporary Chinese new figurative painting is analyzed through concrete painters' works.
【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

【参考文献】